Affichage des articles dont le libellé est Avant-première. Afficher tous les articles
Affichage des articles dont le libellé est Avant-première. Afficher tous les articles

Compte-rendu de la projection de SUR LA ROUTE à Los Angeles.


Compte-rendu de la session questions/réponses en présence de Walter Salles et Garrett Hedlund qui a suivi la projection du film à Los Angeles, ce mercredi 5 décembre.


On y apprend notamment que le documentaire tourné en préparation du film et qui retrace cinq années de recherches sur les traces de la Beat generation, 'Looking for On the road', devrait être fini au ''début de l'année prochaine'', selon Walter Salles. 


Walter Salles and Garrett Hedlund at TheWrap's screening of On The Road.

'On the Road' Director and Star Talk Kristen Stewart, Steve Buscemi Gay Sex Scene
By Tim Kenneally


Jack Kerouac's seminal Beat Generation novel "On the Road" might revolve around the spontaneity of youth, but the film that it spawned certainly had more than its fair share of preparation behind it. 
After TheWrap's screening of "On the Road" at the Landmark Theatre in Los Angeles on Wednesday night, director Walter Salles and star Garrett Hedlund -- who plays iconic Beat Generation figure Dean Moriarty in the film -- discussed the long journey that went into bringing Jack Kerouac's novel to the screen.

In Salles' case, that included five years of retracing Kerouac's steps and tracking down surviving Beat Generation figures such as poet Lawrence Ferlinghetti for information. (Those efforts eventually yielded a documentary, "Searching for 'On the Road,'" which Salles hopes will be in a finished state "at the beginning of next year.")
For Hedlund, it meant driving from Minnesota  to Los Angeles for his audition, capturing his thoughts in a road journal that would help cement his casting when he read it for Salles. (The journal "was so akin to Kerouac's vision, and it so echoed the spirit of the book," the director recalled during the Q&A after the screening.)

And for both of them, it meant a cross-country trip in a 1949 Hudson -- the same model driven by Moriarty in the novel -- to capture additional footage after principal photography had wrapped. 
"We broke down eight, nine times across the country. We drove with no brakes from Cincinnati to Lexington," Hedlund noted.  
Such are the perils of pursuing a labor of love. During the question-and-answer session, which was moderated by TheWrap's editor-in-chief Sharon Waxman, Salles and Hedlund repeatedly discussed their decades-long love for the source material. According to Hedlund, the respect for Kerouac's work extended throughout the cast, which includes Sam Riley as aspiring writer Sal Paradise; "Twilight" star Kristen Stewart, who plays Moriarty's libertine teenage bride Marylou; Tom Sturridge as Allen Ginsberg stand-in Carlo Marx; and Viggo Mortensen as Old Bull Lee, a character based on "Naked Lunch" author William Burroughs. 
"We all shared a similar passion for the book," Hedlund said. "There wasn't a single person on this project who didn't feel completely holy and honored to be there."
Stewart, of course, has become known to screaming teenagers everywhere as Bella Swan, the conflicted lead female character in a little vampire movie franchise called "Twilight." The actress actually came aboard "On the Road" before the "Twilight" film series became a reality, with Salles becoming drawn to the actress via her part in the 2007 film "Into the Wild." While her performance in that Sean Penn-directed movie might have opened the door, it was her knowledge of the novel and insight into the Marylou character that sealed the deal.  (Stewart was scheduled to attend the screening but canceled at the last minute due to illness.)
"I met her and found someone who knew the book inside-out, and also understood that Marylou was 20 years ahead of her time," Salles recalled. "I think that Kristen in her life, she drifts toward these characters who expand or investigate territories that are forbidden a number of times, and she was very drawn to this." 
Despite the unanimous reverence for Kerouac's book, Salles wasn't afraid to deviate from the novel. That included referencing the original, famously scroll-like manuscript that unspooled from Kerouac's typewriter. 
"The published version in 1957 was quite different and tamer than the original that Kerouac had written," Salles noted. "Even that first line was different. The 1957 book starts, 'I first met Dean not long after I divorced my first wife,' and the scroll starts, 'I first met Dean not long after my father died.'" (The film version employs the latter.)
"[We were] trying to be faithful to the very freeform, jazz-infused quality of the text, but at the same time, try to find a complexity in each of the characters," Sallas said of the film adaptation. 
Particularly challenging for the actors was the fact that "On the Road"'s characters are based on people who themselves became public figures. Separating the two could be particularly demanding, Hedlund noted. 
"That was probably the most difficult part of this, the stripping-away process," Hedlund said. "[T]here's so many videos of Kerouac, or there's videos of Neal Cassady when he's older ... It was Walter that said, 'Strip it all away, you're not playing Jack Kerouac, you're playing Sal Paradise,' and to me, 'You're not playing Neal Cassady, you're playing Dean Moriarty.' Because half of this was through life experience that Kerouac was writing, and half was through imagination." 
That wasn't the only stripping-away process that might have tested the cast's mettle. Befitting the free-wheeling spirit of its source material, "On the Road" is rife with sex scenes, particularly for Hedlund's sexually omnivorous Moriarty. A particularly jarring coupling in the film occurs when Moriarty, hard-up for cash, partners with Steve Buscemi, who plays a traveling salesman who gives Sal and Dean a ride -- and has a fondness for Dean. 
As it turns out, Buscemi was as devoted to his role as the rest of the cast.
"Steve was wearing underpants the color of skin. In the rehearsal, in the camera they can see Steve's skin-colored underwear popping into the frame and they're like 'Steve, can you just slide them down a little bit?'" Hedlund recalled. "And he's like, 'Oh, no; I'll just take them off. You don't mind, do you?'"



Source : vrvm.com
Via : @charlegillibert
Lire La Suite...

TIFF 2012 - L’évènement.

Lire La Suite...

TIFF 2012 - Le tapis rouge.




Le tapis rouge : 

Les photos :


imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com imagebam.com
 
Retrouvez toutes les photos individuelles des acteurs :


Kristen Stewart 
Kirsten Dunst

Les vidéos :


Read More at: http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/#utm_source=copypaste&utm_campaign=referral
Ambiance :
 
Walter Salles :
Kristen Stewart :
Garrett Hedlund : 

Kirsten Dunst :
_____

Interviews : 

ET :

Access Hollywood :

The Canadian Press :

City TV : 

Intérieur de la salle (Q/A) :






Articles : 

  • Par MovieLine :    ''The performances by Stewart, Garret Hedlund, who plays Cassady doppelganger, Dean Moriarty, and Sam Riley, who essentially plays Kerouac, are strong. Stewart doesn't have a lot of lines, but she brings a sultry radiance to the screen that is impossible to ignore.'' (More)
  • Par HitFix : "She revealed that knowing the real woman behind Marylou (Luanne Henderson) lived a fruitful life after the events in the book helped her get through the character's sad arc."     (More)

Pour toutes les réactions de journalistes, fans etc., suivez nos tweets sur @OnTheRoadTheMov!


Lire La Suite...

TIFF 2012 - Couverture presse écrite/en ligne.



Articles : 

  • Par MovieLine :    ''The performances by Stewart, Garret Hedlund, who plays Cassady doppelganger, Dean Moriarty, and Sam Riley, who essentially plays Kerouac, are strong. Stewart doesn't have a lot of lines, but she brings a sultry radiance to the screen that is impossible to ignore.'' (More)

  • Par HitFix : "She revealed that knowing the real woman behind Marylou (Luanne Henderson) lived a fruitful life after the events in the book helped her get through the character's sad arc."     (More)

Pour toutes les réactions de journalistes, fans etc., suivez nos tweets sur @OnTheRoadTheMov!




Lire La Suite...

TIFF 2012 - Les interviews vidéos.



Interviews : 

ET :

Access Hollywood :

The Canadian Press :
City TV : 

MAJ : Screenslam :

Intérieur de la salle (Q/A) :







Lire La Suite...

Report : ON THE ROAD UK Premiere (Somerset House).



Burn, burn, burn across the stars.  
On thursday afternoon, we gathered with another On The Road fan I met a week ago. I didn't have a ticket, but no matter, 'Let's just see'. We started waiting and as we were chatting with other people, it came up that a girl had a spare ticket for me. Hallelujah. 
So here I am, 6.30 p.m, inside the Somerset House, in front of a big screen, waiting for the holy movie to begin. I shared some great time with an authentic Beat fan sitting next to me, who had brought his original scroll copy - copy covered on every single page with anecdotes.  


About an hour before the screening, Danny Morgan came to say hi to some of his friends who were there. No barriers, no bodyguards, he was just getting lost in the crowd, stopping sometimes to talk to people and sign autographs. He really is a sweet man. I had the chance to exchange a few words with him, because -of course- my new Beat friend started shouting : ''Hey, Al Hinkle!'' as he was walking next to us.  


9 p.m. The music stopped. ''The screening is about to begin. Please turn off your phone.'' Sam Riley, Tom Sturridge and Danny Morgan went on stage to introduce the movie (See my record below). And here we go, on the road again... 


The choice of putting the On The Road UK premiere into this big open screen was a GREAT choice. Having already seen the movie in Cannes, I can't resist to make a comparison. The two screenings were both very emotional. In Cannes, there was this atmosphere where you know you are living a big moment : the world premiere of the movie, in this mythic Palais des festivals. But there were not this Beat spirit in the air. This time, at Somerset House, you could really share a moment with people. During the whole film, we actually were on the road. We laughed, we applaused. Ate, drank, smoked for some. We were sitting or lying on blankets with pillows. We were watching this masterpiece finally made into a movie.  
Walter Salles' adaptation did incredible justice to the book's spirit. The original scroll, not the censured version first published in 1957. Which means particularly intense sex scenes, drugs everywhere and pure freedom to burn, burn, burn.  
The actors are terrific in it. I've been asked a million times 'what was your favourite performance?' Well, it is actually hard, if not impossible to tell. You cannot pick one of them and say : 'yeah, he/she was the best', because they share that mutual energy.  
I also found the soundtrack well chosen. Oh, and please don't forget to put a special award nomination for the Road, because it literally is a character in the movie.  
Well, I won't say more about the film, because I don't want to spoil those who haven't seen it. For the lucky ones, any favourite scene?  

Here is my top 3 : 
- New Year's Eve 
- The Okie Hitchhiker's song 
- At Old Bull Lee's house   


Next big step for the movie : TIFF Premiere. Won't be able to go there, but I'm sure many of you will share how the whole thing happened. By the way, if some want to write an article for the blog about the TIFF Premiere, feel free to contact! Hope you enjoy this write up :)



Photos :
(please credit if you use them. Kthanks!)  















Lire La Suite...