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TIFF 2012 - Le tapis rouge.
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Le tapis rouge :
Les photos :
Retrouvez toutes les photos individuelles des acteurs :
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| Kristen Stewart |
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| Kirsten Dunst |
Les vidéos :
Read More at: http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/#utm_source=copypaste&utm_campaign=referral
Interviews :
ET :
Intérieur de la salle (Q/A) :
Articles :
- Par MovieLine : ''The performances by Stewart, Garret Hedlund, who plays Cassady doppelganger, Dean Moriarty, and Sam Riley, who essentially plays Kerouac, are strong. Stewart doesn't have a lot of lines, but she brings a sultry radiance to the screen that is impossible to ignore.'' (More)
- Par HitFix : "She revealed that knowing the real woman behind Marylou (Luanne Henderson) lived a fruitful life after the events in the book helped her get through the character's sad arc." (More)
TIFF 2012 - Couverture presse écrite/en ligne.
Articles :
- Par MovieLine : ''The performances by Stewart, Garret Hedlund, who plays Cassady doppelganger, Dean Moriarty, and Sam Riley, who essentially plays Kerouac, are strong. Stewart doesn't have a lot of lines, but she brings a sultry radiance to the screen that is impossible to ignore.'' (More)
- Par HitFix : "She revealed that knowing the real woman behind Marylou (Luanne Henderson) lived a fruitful life after the events in the book helped her get through the character's sad arc." (More)
Pour toutes les réactions de journalistes, fans etc., suivez nos tweets sur @OnTheRoadTheMov!
TIFF 2012 - Les interviews vidéos.
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Interviews :
ET :
Intérieur de la salle (Q/A) :
'Marylou' en couverture de LITTLE WHITE LIES. (UK)
Le magazine britannique sortira le 23 août.
Available on August 23rd in the UK.
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| (C) Little White Lies Toutes les photos de la préparation sont disponibles ici. |
Ce numéro promet vraiment d'être original sur la forme !
En effet, le magazine annonce que l'article principal de leur numéro spécial ON THE ROAD a été tapé à la machine à écrire et illustré à la main sur un rouleau continu, à la manière de Jack Kerouac.
More :
In the spirit of Jack Kerouac's iconic Beat novel, the entire features section of our On the Road issue was typewritten and hand-illustrated onto a single scroll on August 10, 2012.
MAJ 21/08/2012:
Sommaire du magazine :
Director’s commentary:
Walter Salles on improvisation, adventure and the tension between freedom and family
The Book of Kristen:
Silence, please, for the world's most talked-about actress
The Man Who Would Be King:
Is Garrett Hedlund Hollywood's next big superstar
The Beat Bookshelf:
Peruse the ultimate hipster's library
Searching for Bergman:
LWLies travels to Fårö on the trail of Sweden's enigmatic master
American Outlaw:
Rediscovering the work of Shirley Clarke
The Beat Goes On:
A visual celebration of a century's radical individualism
Reliving Paradise:
The view from the tracks with a modern-day hobo
Plus interviews with Rian Johnson, Guy Maddin and Miguel Gomes.
...
Première chose qui saute aux yeux : Aurait-on oublié Sam Riley? Étonnant pour un numéro spécial 'Sur La Route' (et donc implicitement 'Kerouac') que l'acteur incarnant le narrateur du roman n'ait pas été interviewé... De bonnes surprises sinon, avec des dossiers tels que ''Searching for Bergman'', ''American Outlaw'', ''The Beat Goes On'', ou encore ''Reliving Paradise''....
Bon à savoir :
Vous pouvez commander le magazine en ligne depuis la France :
''£4 for EU addresses (+ £1 for each additional issue)''
+ le prix du magazine, qui est de 4,25£.
[UK postage & handling is £2 (+ £1 for each additional issue), and £6 for the Rest of the World (+ £2.75 for each additional issue).]
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| Shirley Clarke. |
Shirley Clarke
''Fuyant les orthodoxies, elle va trouver sa voie avec son premier long-métrage The Connection (1961). Tiré d'une pièce de théâtre de Jack Gelber, jouée par le Living Theatre, et qui décrivait l'attente angoissée par quelques héroï•nomanes de leur fournisseur, le film devient, par l'adjonction dans sa trame d'un cinéaste et de son assistant souhaitant faire un reportage sur le sujet, une réflexion sur l'éthique cinématographique en même temps qu'un portrait saisissant de quelques marginaux proches de la beat generation. Le film fut interdit durant un an aux États-Unis […]'' ( source : Universalis)
Report : ON THE ROAD UK Premiere (Somerset House).
Burn, burn, burn across the stars.
On thursday afternoon, we gathered with another On The Road fan I met a week ago. I didn't have a ticket, but no matter, 'Let's just see'. We started waiting and as we were chatting with other people, it came up that a girl had a spare ticket for me. Hallelujah.
So here I am, 6.30 p.m, inside the Somerset House, in front of a big screen, waiting for the holy movie to begin. I shared some great time with an authentic Beat fan sitting next to me, who had brought his original scroll copy - copy covered on every single page with anecdotes.
About an hour before the screening, Danny Morgan came to say hi to some of his friends who were there. No barriers, no bodyguards, he was just getting lost in the crowd, stopping sometimes to talk to people and sign autographs. He really is a sweet man. I had the chance to exchange a few words with him, because -of course- my new Beat friend started shouting : ''Hey, Al Hinkle!'' as he was walking next to us.
9 p.m. The music stopped. ''The screening is about to begin. Please turn off your phone.'' Sam Riley, Tom Sturridge and Danny Morgan went on stage to introduce the movie (See my record below). And here we go, on the road again...
The choice of putting the On The Road UK premiere into this big open screen was a GREAT choice. Having already seen the movie in Cannes, I can't resist to make a comparison. The two screenings were both very emotional. In Cannes, there was this atmosphere where you know you are living a big moment : the world premiere of the movie, in this mythic Palais des festivals. But there were not this Beat spirit in the air. This time, at Somerset House, you could really share a moment with people. During the whole film, we actually were on the road. We laughed, we applaused. Ate, drank, smoked for some. We were sitting or lying on blankets with pillows. We were watching this masterpiece finally made into a movie.
Walter Salles' adaptation did incredible justice to the book's spirit. The original scroll, not the censured version first published in 1957. Which means particularly intense sex scenes, drugs everywhere and pure freedom to burn, burn, burn.
The actors are terrific in it. I've been asked a million times 'what was your favourite performance?' Well, it is actually hard, if not impossible to tell. You cannot pick one of them and say : 'yeah, he/she was the best', because they share that mutual energy.
I also found the soundtrack well chosen. Oh, and please don't forget to put a special award nomination for the Road, because it literally is a character in the movie.
Well, I won't say more about the film, because I don't want to spoil those who haven't seen it. For the lucky ones, any favourite scene?
Here is my top 3 :
- New Year's Eve
- The Okie Hitchhiker's song
- At Old Bull Lee's house
Next big step for the movie : TIFF Premiere. Won't be able to go there, but I'm sure many of you will share how the whole thing happened. By the way, if some want to write an article for the blog about the TIFF Premiere, feel free to contact! Hope you enjoy this write up :)
(please credit if you use them. Kthanks!)
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