tag:blogger.com,1999:blog-67936444405422045682024-03-14T04:21:18.810+01:00On The Road - The Movie FrOTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.comBlogger151125tag:blogger.com,1999:blog-6793644440542204568.post-6781285463357673792013-09-27T20:31:00.000+02:002013-09-27T20:31:57.256+02:00Affiche et clip de Big Sur.<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-sRs_X_5m6as/UkXN4tN31SI/AAAAAAAADMw/njyncFhUE0A/s1600/Big+sur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-sRs_X_5m6as/UkXN4tN31SI/AAAAAAAADMw/njyncFhUE0A/s1600/Big+sur.jpg" /></a></div>
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="//player.vimeo.com/video/75553295" webkitallowfullscreen="" width="500"></iframe>.<br />
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<i>Source : <a href="http://blogs.indiewire.com/theplaylist/watch-jack-kerouac-is-bored-jaded-in-exclusive-clip-poster-for-beat-generation-drama-big-sur-20130927">IndieWire</a></i></div>
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-80288829413407708612013-09-21T10:30:00.000+02:002013-09-21T10:30:18.695+02:00Décès de Carolyn Cassady (1923-2013)<br />
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<a href="http://3.bp.blogspot.com/-WYsB0fzTnt8/Uj1XP46muGI/AAAAAAAADMY/BYFmBA0aWAk/s1600/love_always_carolyn_042.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-WYsB0fzTnt8/Uj1XP46muGI/AAAAAAAADMY/BYFmBA0aWAk/s400/love_always_carolyn_042.jpg" width="308" /></a>Carolyn Cassady, qui a été l'inspiration du personnage de Camille dans<i> Sur la route</i>, est décédée ce vendredi 20 septembre en Angleterre, à l'âge de 90 ans. C'est Brian Hassett, ami proche de Carolyn Cassady, qui nous a appris la triste nouvelle via son blog et un<a href="http://brianhassett.com/2013/09/carolyn-cassady-tribute-1923-2013/"> émouvant hommage</a>. </h3>
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Figure emblématique de la Beat Generation, Carolyn était l'épouse de Neal Cassady et une amie proche de Jack Kerouac et Allen Ginsberg. Ses deux mémoires, <i>Heart Beat</i> et <i>Off The Road</i>, nous en offrent un témoignage, comme sa récente participation au documentaire <i>Love Always, Carolyn</i>.</div>
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<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-36402117978345573382013-01-04T22:34:00.000+01:002013-01-04T22:36:01.831+01:00Première image et bande-annonce de Big Sur ! <div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-UZK_p7adFKs/UOdAnX-4UNI/AAAAAAAAC2k/8ITrLdqFLlc/s1600/big-sur-josh-lucas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="264" src="http://2.bp.blogspot.com/-UZK_p7adFKs/UOdAnX-4UNI/AAAAAAAAC2k/8ITrLdqFLlc/s640/big-sur-josh-lucas.jpg" width="640" /></a></div>
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Première image de <b>BIG SUR</b>, réalisé par Michael Polish. Comme vous l'aurait sans doute compris, le film est l'adaptation du roman de Jack Kerouac, <b><i>Big Sur</i></b>, publié en 1962.<br />
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Toujours autobiographique, <b>Jack Kerouac</b> est Jack Duluoz, interprété cette fois-ci par <span style="color: #274e13;"><b>Jean-Marc Barr </b></span>et <b>Neal Cassady</b> est Cody Pomeray,<b><span style="color: #274e13;"> Josh Lucas</span> </b>à l'écran. On retrouve aussi <b>Carolyn Cassady </b>et <b>Allen Ginsberg</b>, mais également <b>Lawrence Ferlinghetti, Michael McClure </b>ou encore <b>Gary Snyder </b>car l'histoire se déroule à San Francisco.<br />
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<a href="http://2.bp.blogspot.com/-tnAu-uYKt5Q/UOdKFbQkgjI/AAAAAAAAC4Q/wuUy08YYyZI/s1600/big-sur-josh-lucas-crop-horz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="201" src="http://2.bp.blogspot.com/-tnAu-uYKt5Q/UOdKFbQkgjI/AAAAAAAAC4Q/wuUy08YYyZI/s400/big-sur-josh-lucas-crop-horz.jpg" width="400" /></a></div>
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<i><b>Pour rappel, un résumé du livre :</b></i><br />
''Le héros de ce roman, Jack Duluoz ou Ti Jean, n'est autre que Jack Kerouac, l'auteur de Sur la route. Au bord de la folie, le Roi des Beatniks cherche à fuir l'existence de cinglé qu'il a menée pendant trois ans et part pour San Francisco. Il se réfugie au bord de la mer, à Big Sur, dans une cabane isolée. Après quelques jours de bonheur passés dans la solitude à se retremper dans la nature, Duluoz est à nouveau saisi par le désespoir et l'horreur. Aussi revient-il à San Francisco où l'attendent le monde, les beatniks, l'érotisme. Mais il ne retrouve pas la paix pour autant.'' (Folio)<br />
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<b><i>Bande-annonce (V.O) :</i></b></div>
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<i><b>Le film sera présenté au festival de Sundance en janvier et n'a pas encore de date de sortie fixée.</b></i> </center>
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</b></i> <i><a href="http://www.joblo.com/movie-news/the-trailer-for-big-sur-with-josh-lucas-and-kate-bosworth-is-a-much-different-kerouac-movie-than-on-the-road?utm_source=twitterfeed&utm_medium=twitter">Via</a></i></center>
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-80114849982164316982012-12-31T19:30:00.001+01:002012-12-31T19:30:34.771+01:00Rétrospective 2012... spéciale Sur La Route! <br />
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<i style="font-style: italic;">Sur la route</i> en 2012 <i>?</i></div>
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Sélection de 12 moments qui ont marqué l'année, </div>
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en attendant minuit... </div>
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<a href="http://2.bp.blogspot.com/-zufMOyl6IE4/UOHVmWQbWGI/AAAAAAAAC04/XtMhs3--1JE/s1600/tumblr_mfbq2jG2CM1qip73ao1_r2_250.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-zufMOyl6IE4/UOHVmWQbWGI/AAAAAAAAC04/XtMhs3--1JE/s1600/tumblr_mfbq2jG2CM1qip73ao1_r2_250.gif" /></a></div>
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<li style="text-align: center;">8 février : <a href="http://ontheroad-themoviefr.blogspot.fr/2012/02/en-souvenir-de-neal-cassady.html">Célébration du 86ème anniversaire de Neal Cassady.</a></li>
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<a href="http://1.bp.blogspot.com/-TBwY7miftNM/UOHPDbsLVnI/AAAAAAAACtA/fmcy4kjVDfY/s1600/neal1+(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-TBwY7miftNM/UOHPDbsLVnI/AAAAAAAACtA/fmcy4kjVDfY/s320/neal1+(1).jpg" width="213" /></a></div>
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<li style="text-align: center;">7 mars : <a href="http://ontheroad-themoviefr.blogspot.com/2012/03/voir-ici-message-de-la-page-facebook.html">Diffusion de la bande-annonce de <i>Sur la route</i>.</a></li>
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<a href="http://3.bp.blogspot.com/-C-poJ_DtFaU/UOHPEt0MPbI/AAAAAAAACtE/N2QPjYpKUks/s1600/otr111.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-C-poJ_DtFaU/UOHPEt0MPbI/AAAAAAAACtE/N2QPjYpKUks/s320/otr111.jpg" width="320" /></a></div>
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<li style="text-align: center;">12 mars : <a href="http://ontheroad-themoviefr.blogspot.com/2012/02/semaine-speciale-celebration-des-90-ans.html">Célébration du 90ème anniversaire de Jack Kerouac.</a></li>
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<a href="http://1.bp.blogspot.com/-cxM2Kpw9FdY/UOHPS3zBctI/AAAAAAAACtw/PSzIKfMnWEg/s1600/Kerouac13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="237" src="http://1.bp.blogspot.com/-cxM2Kpw9FdY/UOHPS3zBctI/AAAAAAAACtw/PSzIKfMnWEg/s320/Kerouac13.jpg" width="320" /></a></div>
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<li style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: inherit;">19
avril : <i>Sur la route</i> est sélectionné au Festival de Cannes.</span></span></li>
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<a href="http://2.bp.blogspot.com/-_zVJzq_rm7U/UOHQNzez2RI/AAAAAAAACuI/_sV3Ijk9cfA/s1600/ontheroadposter1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-_zVJzq_rm7U/UOHQNzez2RI/AAAAAAAACuI/_sV3Ijk9cfA/s320/ontheroadposter1.jpg" width="236" /></a></div>
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<li style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: inherit;">04 mai : <a href="http://ontheroad-themoviefr.blogspot.com/2012/02/edition-speciale-on-road-du-magazine.html">Sortie du Hors-série du magazine Trois Couleurs consacré à Sur la route.</a></span></span></li>
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<a href="http://1.bp.blogspot.com/-GJwiygjaPY8/UOHPe4ckb5I/AAAAAAAACt4/JAPJQ7nXJ_g/s1600/523474_382664271766550_113246352041678_1244889_1624887751_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-GJwiygjaPY8/UOHPe4ckb5I/AAAAAAAACt4/JAPJQ7nXJ_g/s320/523474_382664271766550_113246352041678_1244889_1624887751_n.jpg" width="246" /></a></div>
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<li style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: inherit;">16 mai : <a href="http://ontheroad-themoviefr.blogspot.com/2012/06/reportage-photo-de-lexposition-sur-la.html">Début de l'exposition au Musées des lettres et des manuscrits du rouleau de <i>Sur la route.</i></a></span></span></li>
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<a href="http://2.bp.blogspot.com/-7o8DSsc2bEk/UOHO0ocRHXI/AAAAAAAACso/0e1xpgWCIOo/s1600/affiche_expo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-7o8DSsc2bEk/UOHO0ocRHXI/AAAAAAAACso/0e1xpgWCIOo/s320/affiche_expo.jpg" width="213" /></a></div>
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<li style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: inherit;">17 mai : Sortie de la réédition de Sur la route à partir du rouleau original de 1951. </span></span></li>
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<a href="http://3.bp.blogspot.com/-at-kTqVzPhA/UOHPHWvK3YI/AAAAAAAACtU/Xh-mTpREDRM/s1600/rouleaubro.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-at-kTqVzPhA/UOHPHWvK3YI/AAAAAAAACtU/Xh-mTpREDRM/s320/rouleaubro.JPG" width="219" /></a></div>
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<li style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: inherit;">23 mai : <a href="http://ontheroad-themoviefr.blogspot.com/2012/05/23-mai-2012-premiere-de-sur-la-route.html">Sortie de Sur la route en salles et projection au Festival de Cannes.</a></span></span></li>
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<a href="http://1.bp.blogspot.com/-i6wZ8aO0CzA/UOHRqEaz3OI/AAAAAAAACv0/YbERgwhJ8kY/s1600/d14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="http://1.bp.blogspot.com/-i6wZ8aO0CzA/UOHRqEaz3OI/AAAAAAAACv0/YbERgwhJ8kY/s400/d14.jpg" width="400" /></a></div>
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<li style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: inherit;">16 août : <a href="http://ontheroad-themoviefr.blogspot.com/2012/08/report-on-road-uk-premiere-somerset.html">Avant-Première de Sur la route à Londres.</a></span></span></li>
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<a href="http://4.bp.blogspot.com/-qPoQOoQHvZE/UOHUYN52qqI/AAAAAAAACzM/7A2SVN3uoOk/s1600/DSC02609.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-qPoQOoQHvZE/UOHUYN52qqI/AAAAAAAACzM/7A2SVN3uoOk/s320/DSC02609.JPG" width="320" /></a></div>
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<li style="text-align: center;"><span style="line-height: 18.18181800842285px;">6 septembre : <a href="http://ontheroad-themoviefr.blogspot.com/2012/09/tiff-2012-levenement.html">Nouvelle version de Sur la route présentée au Festival International du Film de Toronto.</a></span></li>
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<a href="http://1.bp.blogspot.com/-hRF2FJwo0MM/UOHSz3PEOzI/AAAAAAAACxg/JcuZ1qJ8Syw/s1600/309288_513229215371766_1890537206_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="http://1.bp.blogspot.com/-hRF2FJwo0MM/UOHSz3PEOzI/AAAAAAAACxg/JcuZ1qJ8Syw/s400/309288_513229215371766_1890537206_n.jpg" width="400" /></a></div>
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<li style="text-align: center;"><span style="line-height: 18.18181800842285px;">17 octobre : <a href="http://www.amazon.fr/Sur-route-Kristen-Stewart/dp/B008H1H6Q0/ref=sr_1_1?ie=UTF8&qid=1356978202&sr=8-1">Sortie de DVD de Sur la route en France.</a></span></li>
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<a href="http://3.bp.blogspot.com/-9uFsIPy3PBw/UOHPIt9PkII/AAAAAAAACtc/SqbTs5M2rUY/s1600/vF5n8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-9uFsIPy3PBw/UOHPIt9PkII/AAAAAAAACtc/SqbTs5M2rUY/s320/vF5n8.jpg" width="177" /></a></div>
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<li style="text-align: center;"><span style="line-height: 18.18181800842285px;">21 décembre : Sortie de Sur la route à New-York et Los Angeles.</span></li>
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-22966319375741854892012-12-07T17:16:00.000+01:002012-12-07T17:16:46.932+01:00Compte-rendu de la projection de SUR LA ROUTE à Los Angeles. <br />
<h3>
<i>Compte-rendu de la session questions/réponses en présence de Walter Salles et Garrett Hedlund qui a suivi la projection du film à Los Angeles, ce mercredi 5 décembre.</i></h3>
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<i><br /></i></div>
<div>
<i>On y apprend notamment que le documentaire tourné en préparation du film et qui retrace cinq années de recherches sur les traces de la Beat generation, 'Looking for On the road', devrait être fini au ''début de l'année prochaine'', selon Walter Salles. </i></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-gOnJKhR3KTQ/UMITuJf38oI/AAAAAAAACoE/gu0lQ4UnUf4/s1600/wrap23.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="http://4.bp.blogspot.com/-gOnJKhR3KTQ/UMITuJf38oI/AAAAAAAACoE/gu0lQ4UnUf4/s640/wrap23.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Walter Salles and Garrett Hedlund at TheWrap's screening of On The Road.</td></tr>
</tbody></table>
<br />
<blockquote class="tr_bq">
<div style="text-align: center;">
<b><span style="font-size: large;">'On the Road' Director and Star Talk Kristen Stewart, Steve Buscemi Gay Sex Scene</span></b></div>
<div style="text-align: center;">
<b><i>By Tim Kenneally</i></b></div>
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<div style="text-align: justify;">
Jack Kerouac's seminal Beat Generation novel "On the Road" might
revolve around the spontaneity of youth, but the film that it spawned
certainly had more than its fair share of preparation behind it. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
After <b>TheWrap's screening of "On the Road" </b>at the Landmark Theatre
in Los Angeles on Wednesday night, director Walter Salles and star
Garrett Hedlund -- who plays iconic Beat Generation figure Dean Moriarty
in the film -- discussed the long journey that went into bringing Jack
Kerouac's novel to the screen.</div>
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<br /></div>
</strong><div style="text-align: justify;">
In Salles' case, that included five years of retracing Kerouac's
steps and tracking down surviving Beat Generation figures such as poet
Lawrence Ferlinghetti for information. (Those efforts eventually yielded
a documentary, "Searching for 'On the Road,'" which Salles hopes will
be in a finished state "at the beginning of next year.")</div>
<div style="text-align: justify;">
For Hedlund, it meant driving from Minnesota<a href="" name="display"> </a>
to Los Angeles for his audition, capturing his thoughts in a road
journal that would help cement his casting when he read it for Salles.
(The journal "was so akin to Kerouac's vision, and it so echoed the
spirit of the book," the director recalled during the Q&A after the
screening.)</div>
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</strong><div style="text-align: justify;">
And for both of them, it meant a cross-country trip in a 1949 Hudson
-- the same model driven by Moriarty in the novel -- to capture
additional footage after principal photography had wrapped. </div>
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<i><span style="font-size: large;">"We broke down eight, nine times across the country. We drove with no brakes from Cincinnati to Lexington,"</span> </i>Hedlund noted. </div>
</blockquote>
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<div style="text-align: justify;">
Such are the perils of pursuing a labor of love. During the
question-and-answer session, which was moderated by TheWrap's
editor-in-chief Sharon Waxman, Salles and Hedlund repeatedly discussed
their decades-long love for the source material. According to Hedlund,
the respect for Kerouac's work extended throughout the cast, which
includes Sam Riley as aspiring writer Sal Paradise; "Twilight" star
Kristen Stewart, who plays Moriarty's libertine teenage bride Marylou;
Tom Sturridge as Allen Ginsberg stand-in Carlo Marx; and Viggo Mortensen
as Old Bull Lee, a character based on "Naked Lunch" author William
Burroughs. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
<span style="font-size: large;"><i>"We all shared a similar passion for the book," </i>Hedlund said. <i>"There
wasn't a single person on this project who didn't feel completely holy
and honored to be there."</i></span></div>
<div style="text-align: justify;">
Stewart, of course, has become known to screaming teenagers
everywhere as Bella Swan, the conflicted lead female character in a
little vampire movie franchise called "Twilight." The actress actually
came aboard "On the Road" before the "Twilight" film series became a
reality, with Salles becoming drawn to the actress via her part in the
2007 film "Into the Wild." While her performance in that Sean
Penn-directed movie might have opened the door, it was her knowledge of
the novel and insight into the Marylou character that sealed the deal. (Stewart was scheduled to attend the screening but canceled at the last minute due to illness.)</div>
</blockquote>
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<span style="font-size: large;"><i>"I met her and found someone who knew the book inside-out, and also
understood that Marylou was 20 years ahead of her time," </i>Salles
recalled. <i>"I think that Kristen in her life, she drifts toward these
characters who expand or investigate territories that are forbidden a
number of times, and she was very drawn to this." </i></span></div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
Despite the unanimous reverence for Kerouac's book, Salles wasn't
afraid to deviate from the novel. That included referencing the
original, famously scroll-like manuscript that unspooled from Kerouac's
typewriter. </div>
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<blockquote class="tr_bq">
<div style="text-align: justify;">
<span style="font-size: large;"><i>"The published version in 1957 was quite different and tamer than the
original that Kerouac had written," </i>Salles noted. <i>"Even that first line
was different. The 1957 book starts, 'I first met Dean not long after I
divorced my first wife,'</i> and the scroll starts, <i>'I first met Dean not
long after my father died.'"</i> (The film version employs the latter.)</span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><i>"[We were] trying to be faithful to the very freeform, jazz-infused
quality of the text, but at the same time, try to find a complexity in
each of the characters," </i>Sallas said of the film adaptation. </span></div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
Particularly challenging for the actors was the fact that "On the
Road"'s characters are based on people who themselves became public
figures. Separating the two could be particularly demanding, Hedlund
noted. </div>
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<blockquote class="tr_bq">
<div style="text-align: justify;">
<span style="font-size: large;"><i>"That was probably the most difficult part of this, the
stripping-away process," </i>Hedlund said. </span><i><span style="font-size: large;">"[T]here's so many videos of
Kerouac, or there's videos of Neal Cassady when he's older ... It was
Walter that said, 'Strip it all away, you're not playing Jack Kerouac,
you're playing Sal Paradise,' and to me, 'You're not playing Neal
Cassady, you're playing Dean Moriarty.' Because half of this was through
life experience that Kerouac was writing, and half was through
imagination."</span> </i></div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
That wasn't the only stripping-away process that might have tested
the cast's mettle. Befitting the free-wheeling spirit of its source
material, "On the Road" is rife with sex scenes, particularly for
Hedlund's sexually omnivorous Moriarty. A particularly jarring coupling
in the film occurs when Moriarty, hard-up for cash, partners with Steve
Buscemi, who plays a traveling salesman who gives Sal and Dean a ride --
and has a fondness for Dean. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
As it turns out, Buscemi was as devoted to his role as the rest of the cast.</div>
<div style="text-align: justify;">
<span style="font-size: large;"><i>"Steve was wearing underpants the color of skin. In the rehearsal, in
the camera they can see Steve's skin-colored underwear popping into the
frame and they're like 'Steve, can you just slide them down a little
bit?'"</i> Hedlund recalled. "<i>And he's like, 'Oh, no; I'll just take them
off. You don't mind, do you?'"</i></span></div>
</blockquote>
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<div style="text-align: justify;">
<i>Source : <a href="http://vw.vrvm.com/thewrap/db_/contentdetail.htm?contentguid=G3CZOOct&full=true#display">vrvm.com</a></i></div>
<i>Via : <a href="https://twitter.com/charlegillibert">@charlegillibert</a></i></div>
OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-65572201008288992432012-12-03T20:26:00.000+01:002012-12-03T20:26:31.244+01:00Interview de Garrett Hedlund pour Interview Magazine.<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: inherit; font-size: x-large;"><i><span style="text-align: justify;"><b>'' </b>It's funny that I got to do </span><span style="text-align: justify;">On the Road. </span><span style="text-align: justify;">I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree.</span><span style="text-align: justify;"> <b>''</b></span></i></span></blockquote>
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<div style="text-align: justify;">
<a href="http://3.bp.blogspot.com/-Rosiaywh_WA/ULz6N6bQEMI/AAAAAAAACl0/uCnOZeQn65A/s1600/270062_10151185140858036_823781621_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-Rosiaywh_WA/ULz6N6bQEMI/AAAAAAAACl0/uCnOZeQn65A/s400/270062_10151185140858036_823781621_n.jpg" width="310" /></a><b><i>BRIDGES: So tell me about On the Road. That was kicking around for a while and went through some directors, didn't it?</i></b></div>
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HEDLUND:
Yeah. I remember, at first, looking it up and seeing that Francis Ford
Coppola was attached to the film, and I was like, "Shit. I'll never get a
chance at this." But then, like, eight years later, I was on set doing
it. I remember all of us kind of pinching each other and saying, "Man,
we're filming <em>On the Road</em>." But I think there were a number of
different incarnations of what the movie was gonna be, from Jean-Luc
Godard filming it, to Gus Van Sant doing it, to all these other
directors who were rumored to be involved—I think Roman Coppola was even
going to direct it at one point. There were also a bunch of different
versions of the script: one that Barry Gifford had written and one that
Roman was planning to write. But I think it was after Sundance, the year
that Walter [Salles] was there with <em>The Motorcycle Diaries</em>
[2004], that he was approached about possibly doing the film. Obviously,
Walter had just come from doing a road film, so I think he was like,
"Well, if I'm gonna do this"—which he was unsure of at the time—"then
I'm going to have to immerse myself in it." So he ended up going across
the country for five or six years doing research before they'd even
completed a script, which José Rivera, who worked with Walter on <em>The Motorcycle Diaries</em>,
eventually wrote. So it was a long time in the making. I also think
that since Walter is Brazilian, he maybe didn't feel like he was the
right person to make this movie unless he'd really absorbed it all. I
mean, he'd read the book at a young age himself and was very inspired by
it. </div>
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<i><b>BRIDGES: Were you familiar with the book before you did the movie?</b></i> </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
<a href="http://1.bp.blogspot.com/-Fy1Koh054Ck/ULz6spok7bI/AAAAAAAACmU/tlulKO8jsVE/s1600/img-garrett-hedlund-5_204124572670.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-Fy1Koh054Ck/ULz6spok7bI/AAAAAAAACmU/tlulKO8jsVE/s320/img-garrett-hedlund-5_204124572670.jpg" width="247" /></a>HEDLUND: Yeah. I'd read it in high school. It's funny that I got to do <em>On the Road</em>
because the thing that had the biggest impact on me growing up was
reading books. I was very inspired by the book and this spirit of Dean
Moriarty and how envious we all are of somebody who can be that
carefree. I also always thought of myself as more like the Sal Paradise
character—you know, being a listener and writing about a conversation
more than being the one that others listened to. So it was interesting
that I got to play Dean. I actually signed on to do <em>On the Road </em>before we started on <em>Tron</em>,
but we were in flux for a while, just sort of playing the waiting game,
trying to get the right budget and the right cast. I think I first met
with Walter in March of 2007. But I told Walter that I wouldn't do
another film until we did <em>On the Road</em>, so I had a lot of time
to do my own research—to go up to San Francisco to City Lights
bookstore, to watch video interviews of Neal Cassady with Allen
Ginsberg, to sit in Vesuvio [Cafe] and visit Jack Kerouac Alley, to go
to the Beat Museum and things. We had time, so Walter and I also did
road trips and talked to people, be it family members of some of the
people who were around the Beats or other writers. But it was really
just about finding something that we could add to the story beyond what
was on the page, even if only from life experience. I mean, I grew up
around country roads, but this was a different route that these guys
took. Eventually, though, it all came to fruition.</div>
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<a href="http://1.bp.blogspot.com/-UHzDMUGUQao/ULz6pi1uuHI/AAAAAAAACl8/e2KwR-QRjV4/s1600/img-garrett-hedlund-1_204025452502.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-UHzDMUGUQao/ULz6pi1uuHI/AAAAAAAACl8/e2KwR-QRjV4/s200/img-garrett-hedlund-1_204025452502.jpg" width="155" /></a><a href="http://4.bp.blogspot.com/-OwsMAQNbYE0/ULz6qtF1FtI/AAAAAAAACmE/3sr2e-ZvTR0/s1600/img-garrett-hedlund-2_204039391620.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-OwsMAQNbYE0/ULz6qtF1FtI/AAAAAAAACmE/3sr2e-ZvTR0/s200/img-garrett-hedlund-2_204039391620.jpg" width="143" /></a><a href="http://1.bp.blogspot.com/-EnNmgUlXekI/ULz6rnxcqQI/AAAAAAAACmM/gFP7rZMXd-I/s1600/img-garrett-hedlund-3_204053562857.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-EnNmgUlXekI/ULz6rnxcqQI/AAAAAAAACmM/gFP7rZMXd-I/s200/img-garrett-hedlund-3_204053562857.jpg" width="155" /></a></div>
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<span style="font-size: x-small;"><span class="byline">Crédits : </span></span></div>
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<span style="font-size: x-small;"><span class="byline">Photography : </span><span class="author">Robbie Fimmano</span></span></div>
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<span style="font-size: x-small;"><span class="byline">Stylist : </span><span class="author">Karl Templer</span></span></div>
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<a href="http://www.interviewmagazine.com/film/garrett-hedlund/#_">Source </a>OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-10532354002218845112012-11-29T17:43:00.001+01:002012-11-29T17:46:52.596+01:00Interview de Kristen Stewart pour Awards Daily - par Craig Kennedy.<br />
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<a href="http://2.bp.blogspot.com/-kLrZjzuGVeo/ULeQlRl7ppI/AAAAAAAACkM/1OdTOwEdzp8/s1600/28.053.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="http://2.bp.blogspot.com/-kLrZjzuGVeo/ULeQlRl7ppI/AAAAAAAACkM/1OdTOwEdzp8/s640/28.053.jpg" width="640" /></a></div>
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<blockquote class="tr_bq">
<div style="text-align: justify;">
<b>Kristen Stewart: The “On the Road” roundtable</b></div>
<div style="text-align: justify;">
<a href="http://www.awardsdaily.com/blog/2012/11/27/kristen-stewart-the-on-the-road-roundtable/">awardsdaily</a>
I recently sat down to a couple of one on one interviews for the
upcoming adaptation of Jack Kerouac’s On the Road. The first was with
the film’s co-star Garrett Hedlund (Tron: Legacy) and the second was
with screenwriter Jose Rivera and director Walter Salles who had
previously collaborated on the highly acclaimed The Motorcycle Diaries
(2004). Those interviews will be coming shortly, but in the mean time I
wanted to pull out some of the more interesting responses from the
roundtable with Kristen Stewart which took place on the same day. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
Stewart of course is on everyone’s mind right now as the last chapter of
the Twilight Saga rakes in cash at the multiplex, but it’s easy to
forget that she’s also carved out a nice niche for herself and done some
of her best work in smaller scale films like Into the Wild, The
Runaways, Welcome to the Rileys and now On the Road. </div>
</blockquote>
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<div style="text-align: justify;">
In front of cameras and in front of the media since before she was even a
teenager, a lot of ink has been spilled about Stewart and her personal
life so it’s not all that surprising she’s kind of a guarded presence.
She has a reputation for being a difficult interview, but I don’t blame
her. This is what happens in a world where a young woman’s behavior can
be trumpeted as a “scandal” in tabloid headlines even when whatever it
is all falls well within the boundaries of the law. We’re a society that
seems to need to build people up and tear them back down again and it
can’t be easy being buffeted by those forces at an age when a lot of
people are still trying to figure out what they want to do with
themselves. </div>
</blockquote>
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<div style="text-align: justify;">
So, it’s not all that surprising Stewart seemed a little bit nervous
sitting down to a table full of microphones and people waiting to
dissect her. Beyond the nervous energy though (a lot of toe tapping),
Stewart’s enthusiasm for her character and the project won out. She
spoke in stops and starts as the words tried to keep up with the
thoughts in her brain, but this is clearly an intelligent person who has
spent a lot of time getting inside her character Marylou. It was
interesting too how much love and respect she has for the character. My
take on Kerouac’s story and this adaptation especially is that it’s
dominated by the men Sal Paradise (Sam Riley) and the free-wheeling Dean
Moriarty (Hedlund) while the female characters (Stewart’s Marylou and
Camille played by Kirsten Dunst) kind of got the raw end of the deal.
It’s pretty clear though that Stewart at least sees her character very
differently and she made me think about her in new ways. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
<b>On her character Marylou:</b></div>
<div style="text-align: justify;">
I really had to dig pretty deep to find it in me to play a person like
that. It took a long time. I couldn’t say no. I would’ve done anything
on the movie. I would’ve followed the movie in a caravan had I not had a
job in it. I was like 14 or 15 when I read the book for the first time
and 16 or 17 when I spoke to Walter for the first time. It was easy to
connect the dots after having really gotten to know the person behind
the character and what you would need to pull off a lifestyle like that.
That didn’t happen until deep in the rehearsal process. At first I was
just attracted to the spirit of it. I’m the type of person who needs to
be pushed really hard to be able to let it all hang. I think that
Marylou is the type of person you can’t help but be yourself around
because she’s so unabashedly there and present all the time, like this
bottomless pit of really generous empathy. It’s a really rare quality
that makes you capable of living a really full, a really rich life
without it taking something from you. You couldn’t take from her. She
was always getting something back. She’s amazing. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
<b>On LuAnne Henderson, the real woman behind Kerouac’s character Marylou:</b></div>
<div style="text-align: justify;">
I think that LuAnne would’ve been ahead of her time now. I think
generally people’s expectations for their lives are in a personal way
not all that different. It’s a really fundamental thing to want to be a
part of a group. We are pack animals. In a way she had very conventional
ideals as well. She had this capacity to live many lives that didn’t
necessarily mess with the other. She was ultimately not above emotion.
She was above jealousy, but not above feeling hurt. She felt hurt but
not slighted. </div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
Maybe if this movie was made back in the day as opposed to now, people
would be shocked by the sex and the drugs and they would actually miss
what the movie is about. Whereas now we’ve just seen a little bit more
of it so it’s not shocking to stomach. It’s easier to take. I mean,
sure, times have changed, but people don’t change. That’s why the book’s
never been irrelevant. There will always be people that want to push a
little bit harder and there are repercussions. Knowing what happens to
all the characters afterwards is really interesting. She knew Neal to
the end of his life and they always shared what they had. They never
left their hearts even though their lives changed monumentally. </div>
</blockquote>
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<div style="text-align: justify;">
</div>
</blockquote>
<blockquote class="tr_bq">
<div style="text-align: justify;">
<b>On whether On the Road is appropriate for Twilight fans:</b></div>
<div style="text-align: justify;">
I think that probably depends on your parents. I read On the Road when I
was 14. My parents never really wanted to shelter me from the world
that we live in so I think that I’m probably not the right person to ask
(laughs).</div>
</blockquote>
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<blockquote class="tr_bq">
<div style="text-align: justify;">
<b>On the importance of being on the road:</b></div>
<div style="text-align: justify;">
When you can literally Google anything and see it, you feel like you
don’t have to go see it in person. You can do a lot of travelling in
your bedroom, but you’re not touching anything. You’re not feeling it. </div>
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<b>On doing her first nude scenes and how her parents handled it:</b></div>
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I think everyone was really happy that it took a few years for the movie
to get made (laughs). My mom came to Cannes. She loved it. She was
really proud. I haven’t talked to my dad about it yet (laughs). </div>
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Welcome to the Rileys was probably a more difficult movie for a parent
to watch. I was so sensitive after that. That character really found its
way into me. I was so overtly sensitive about anything, not just
overtly sexual, but anything about a young girl. It just rocked me and I
think my parents could probably feel that as well. So it was just not
something that we engaged or talked about. </div>
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It’s hard to step outside of it. I know it’s funny to talk about it from
an outsider’s perspective, like “Oh, it must be weird to sit down and
watch your ass with your mom” or whatever, but it’s so weird being on
the inside of it. I genuinely don’t feel like… I don’t want to say that
I’m watching another person at all because what I love about my job is
aspects of life that you relate to but you didn’t quite know you had in
you can shock the shit out of you and so the process of making the movie
is finding out why you responded that way. So, I don’t feel like you’re
every playing a different person, but you’re taking care of another
person and you have such a responsibility to that person. It’s easy to
be mature about it. It’s easy to place it in a context and feel
protective of it. </div>
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<b>Advice for young actors who might be starting out in a major franchise like Twilight:</b></div>
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You’d better love it or don’t do it. To be on one project for 5 years, I
have the exact same feeling that I had when I first started it. The
only difference is that now finally I have that weight lifted, but I
want it back. I don’t have to worry about Bella anymore, but I’m like
“Really? It’s so weird. Where is it? She’s not like tapping me on the
shoulder anymore.” So, yeah. I would say “love it.” </div>
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Walter Salles’ adaptation of Jack Kerouac’s On the Road starring Sam
Riley, Garrett Hedlund and Kristen Stewart opens in limited release on
December 21, 2012. You’ll be hearing a lot more about it in the days and
weeks to come including my interviews with Hedlund, Salles and Rivera
so stay tuned. </div>
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<a href="http://www.awardsdaily.com/blog/2012/11/27/kristen-stewart-the-on-the-road-roundtable/">Source</a><i> </i>OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-4826864722009510152012-11-08T21:21:00.000+01:002012-11-08T21:21:39.050+01:00Kristen Stewart parle de Sur La Route dans une interview pour Backstage.<div style="text-align: center;">
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<i style="font-family: 'Trebuchet MS', sans-serif; font-size: x-large; line-height: 17.984848022460938px;">Kristen Stewart parle de <u>Sur la route</u> : </i></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small; line-height: 17.999998092651367px;"><i style="background-color: #cccccc;">(C) Traduction effectuée par Ontheroad-themoviefr, </i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small; line-height: 17.999998092651367px;"><i style="background-color: #cccccc;">veuillez créditer avec lien si vous reprenez cette traduction. Merci! (C)</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="line-height: 17.999998092651367px;">Stewart a rencontré Salles en 2007, après que le réalisateur ait remarqué sa performance comme adolescente mélancolique dans <i>Into the wild</i>, mais il a fallu quelques années supplémentaires pour que le film se fasse. Un laps de temps dont Stewart est reconnaissante. <b>"Le rôle était vraiment trop complexe pour moi à ce moment-là''</b>, déclare-t-elle. <b>''J'aimais le personnage, et j'aurais fait n'importe quel petit job pour être impliqué dans ce film. Mais je suis repartie en conduisant toute tremblante parce que je me disais : ''Mon Dieu, je pense que j'ai le rôle, et je ne sais pas si je peux le faire!''</b></span><b> </b></span></div>
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<a href="http://4.bp.blogspot.com/-9wZEl9c1vaA/UJwST8n8R7I/AAAAAAAACiU/HXsDdpO7Vj8/s1600/7rsNI.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="266" src="http://4.bp.blogspot.com/-9wZEl9c1vaA/UJwST8n8R7I/AAAAAAAACiU/HXsDdpO7Vj8/s320/7rsNI.jpg" width="320" /></a><span style="font-family: Trebuchet MS, sans-serif;"><span style="line-height: 17.999998092651367px;">Jouer quelqu'un sans complexe comme Marylou, qui a une idylle en même temps avec son petit-ami, Dean (Garrett Hedlund) et l'autre protagoniste du film Sal Paradise (Sam Riley) a demandé à Stewart de s'exposer, au sens propre comme au figuré. La nudité n'a pas intimidé Stewart, qui a joué une stripteaseuse dans <i>Welcome to the Rileys </i>(2010), bien qu'elle était consciente que ce serait cette fois-ci quelque chose dont les média se saisiraient, anticipant des gros titres tels que ''La gentille fille de Twilight montre tout!'', imagine Stewart.<b> ''Je sais que c'est étrange de dire ça, mais cela ne m'a pas inquiétée. J'aime réellement faire tomber les barrières. Je ne voulais pas me cacher, particulièrement en tant que Marylou - c'est la dernière personne qui se cacherait.'' </b>En fait, c'était une simple scène de danse qui effrayait le plus Stewart. ''<b>Mais dès que j'avais des doutes, je pouvais parler à Walter, et toutes mes appréhensions partaient</b>, déclare-t-elle. Elle commence alors à faire une longue éloge de son réalisateur avant de s'arrêter et de reprendre : <b>''Ce que je peux dire - il est foutrement génial.''</b> Salles en retour n'a que des compliments à son sujet. <b>"Kristen est vraiment une actrice talentueuse qui nous surprendra de nombreuses fois dans le futur''</b>, dit-il pendant un appel du Brésil. <b>"Elle a la possibilité de faire à peu près ce qu'elle veut, et elle choisit des rôles qui sont des choix très courageux - des personnages que vous ne vous attendriez pas à la voir jouer.''</b></span></span></div>
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Extrait original :<br />
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Next month will see Stewart in one of her most challenging roles to date, as 16-year-old free spirit Marylou in “On the Road,” director Walter Salles’ screen adaptation of the beloved Jack Kerouac novel.<br />
Stewart actually met with Salles in 2007 after the director caught her performance as a melancholy teen in “Into the Wild,” but it took several years for the film to get made. It’s time that Stewart is grateful for. “The role was so beyond me at that point,” she says. “I loved the character, and I would have done craft services to be involved with that movie. But I drove away shaking because I was thinking, ‘Oh, my God, I think I’m going to get the job, and I don’t know if I can do it!’ ”<br />
Playing someone as uninhibited as Marylou, who romances both her boyfriend, Dean (Garrett Hedlund), and the film’s protagonist, Sal Paradise (Sam Riley), required Stewart to be exposed, figuratively and literally. The nudity didn’t intimidate Stewart, who played a stripper in 2010’s “Welcome to the Rileys,” though she knew it was something the media would latch on to, anticipating headlines like “ ‘Twilight’ Good Girl Bares All!” says Stewart, “I know it’s an odd thing to say, but it didn’t worry me. I really do love taking walls down. I didn’t want to hide, especially as Marylou—she’s the last person who would hide.” As it turns out, it was a simple dance scene that frightened Stewart the most. “But whenever I had doubts, I was able to talk to Walter, and all my apprehensions went away,” she says. She starts to praise her director at length before stopping herself and saying, “What can I say—he’s fucking awesome.” Salles has nothing but kind words for Stewart in return. “Kristen is a seriously talented actress who’s going to surprise us many times in the future,” the director says in a phone call from Brazil. “She has the possibility to do pretty much whatever she wants, and she opts for roles that are very courageous choices—characters you might not expect her to play.”<br />
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<a href="http://www.kstewfrance.com/2012/11/kristen-fait-la-couverture-du-magazine.html">Via</a>OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-68472523901178760822012-11-08T19:41:00.001+01:002012-11-08T19:45:22.665+01:00Interview de Garrett Hedlund par le magazine HUCK. <br />
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<span style="font-family: Trebuchet MS, sans-serif;"><i style="text-align: left;">Article written by <strong>Matt Bochenski for the HUCK Magazine (Issue #35)</strong> </i><span style="text-align: justify;"> </span></span><br />
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="text-align: justify;"><i><a href="http://ontheroad-themoviefr.blogspot.fr/2012/11/numero-special-on-road-par-le-magazine.html">Plus d'infos sur le magazine et comment se le procurer.</a> </i></span></span><br />
<span style="font-family: Trebuchet MS, sans-serif;"><span style="text-align: justify;"><i>( NB : dispo en français!)</i></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: large;"> <b>Garrett Hedlund <span class="second-headline">The Man and The Muse</span></b></span><b> </b></span></div>
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<i><span style="font-family: Trebuchet MS, sans-serif;">He’s the Dean Moriarty of Walter
Salles’ adapation of Jack Kerouac’s On The Road. Which makes him a
caricature of a caricature of Neal Cassady, America’s most fabled rebel
muse. But Garrett Hedlund is still his own man.</span></i></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><a href="http://en.wikipedia.org/wiki/Garrett_Hedlund" title="garrett">Garrett Hedlund</a>
is not the same kid who grew up on a cattle farm in the remote
outerlands of Wannaska, Minnesota. At twenty-eight, he’s found his
footing in Hollywood with the easy confidence of a child superstar born
and bred for life on the Hills. His bio glistens with big-screen hits,
from <a href="http://www.imdb.com/title/tt0332452/" title="troy">Troy</a> and <a href="http://www.imdb.com/title/tt1104001/">Tron: Legacy</a> to <a href="http://www.imdb.com/title/tt0758745/" title="im">Friday Night Lights</a>. He can share a spotlight with Brad Pitt without fading off into the shadows. And now, as rugged, rebel muse <a href="http://en.wikipedia.org/wiki/Dean_Moriarty" title="dean">Dean Moriarty</a> – the larger-than-life caricature of the already larger-than-life <a href="http://en.wikipedia.org/wiki/Neal_Cassady" title="neal">Neal Cassady</a> - he’s taken <a href="http://www.imdb.com/name/nm0758574/" title="walet">Walter Salles</a>’ adaptation of <a href="http://en.wikipedia.org/wiki/Jack_Kerouac" title="ac">Jack Kerouac</a>’s <a href="http://en.wikipedia.org/wiki/On_the_Road_%28film%29" title="on">On The Road</a> and made damn sure that all eyes are on him.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">But groomed for this life, he was not. At fourteen, Hedlund found
himself in Arizona with his divorcee mom, busking tables after school,
knocking on every talent agent’s door, and hitching rides to LA
auditions, 800 miles away. He studied hard, graduated early, and, with a
breakout part in <a href="http://en.wikipedia.org/wiki/Wolfgang_Petersen" title="w">Wolfgang Petersen</a>’s <em>Troy</em>,
landed in Hollywood on both farmer-boy feet. But there are hints of
Wannaska in that Hollywood smile – least not when he’s quoting <a href="http://en.wikipedia.org/wiki/Tennessee_Williams" title="ten">Tennessee Williams</a> on the fly.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">HUCK caught up with Hedlund during the red-carpeted globe-trot that
was always bound to follow in Cassady’s wake, and found the gooey-eyed
optimism that keeps a kid from Minnesota a kid from Minnesota for life.</span> </div>
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<strong><strong><span style="font-family: Trebuchet MS, sans-serif;">Kerouac is said to have wanted Marlon Brando to play the role
of Dean Moriarty. And Dean, meanwhile, is a caricature of Neal Cassady.
That’s a lot of personality, right there. How do you channel the
influence of icons like that when approaching a role like this?</span></strong> </strong></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Between Walter [Salles] and I, it was about finding the voice of the man
who said it for the first time and not the repeated soul.
Unfortunately, the only video footage we really have of Cassady, which
is when he was older, are YouTube clips when he’s driving the bus for <em>The Electric Kool-Aid Acid Test</em> [with the <a href="http://en.wikipedia.org/wiki/Merry_Pranksters" title="ma">Merry Pranksters</a>]:
he’s a motor mouth and super high on acid. At first glance, you’re
like, ‘Man, I can’t wait to play this character.’ But really it’s about
finding that soul which is experiencing it, verbalising it for the first
time, what he really felt about this and that, and not the motor mouth
that was the last figure at the museum. He was the one on display. He
was the one voicing the inspiration and wonderment. He was the one
saying, ‘Wow, Sal, look at that. Man, everything that I see is so whole
and complete and we have to get some of this…’ It was about playing
someone experiencing something for the first time with such electricity
and such amusement and wonderment at life and the world that it was
infectious to Kerouac and Marylou and Ginsberg.</span></div>
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<strong><strong><span style="font-family: Trebuchet MS, sans-serif;">How did you develop the chemistry with Sam, who plays Jack
Kerouac’s alter-ego Sal Paradise, and Kristen Stewart, who plays your
teen wife Marylou?</span></strong> </strong></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Sam I feel is, in a way, my brother, my life. And Kristen is, I don’t
know if it’d be unfair to say, like, my sister in a way. She’s very much
that close. We would punch each other in the shoulder and say, ‘I can’t
believe we’re fucking working on <em>On the Road</em>! It’s insane!’
Then we’d snap back and get back to our priorities and our obligations
creatively. But, I mean, the wonderful thing about Kristen is that she
was so devoted to playing this character. It was as important to her as
it was to all of us. And Sal was as important to Sam as it was to each
of us. […] Everybody had the same level of devotion no matter if you
were in four scenes or forty. It was such a wonderful family to be part
of creatively because nobody was going to come to work late. It’s such a
rarity.</span></div>
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<strong><strong><span style="font-family: Trebuchet MS, sans-serif;">Did you have any doubts? Was there a little voice in the back of your mind questioning whether an adaptation could really work?</span></strong> </strong></div>
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<span style="font-family: Trebuchet MS, sans-serif;">No, not at all because when I read the script I thought it was so
wonderfully done. What Jose [Rivera] had done in terms of capturing some
of the most pertinent moments of the story, from the most influential
to the most inspirational bits were all in there. And then you’d see
other bits of the book that you thought were great and we’d get all
those down. I mean, from what we shot in comparison to what’s in the
film, there could easily be a six-hour film out there. And the Beat
enthusiasts like myself or like a lot of the other people involved on
the film, or like a lot of people ranging from San Francisco to all
around the world, they would be happy to watch that six-hour film. I
think a lot of people that haven’t read the book or have no idea about <em>On the Road</em> are
just gonna, you know… I think hopefully they’ll watch it and get the
inspiration to get out and drive, the way the book enthused a lot of
Beat enthusiasts.</span> </div>
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<strong><strong><span style="font-family: Trebuchet MS, sans-serif;">Why do you think now is the right time to do this adaptation? When<a href="http://en.wikipedia.org/wiki/Jean-Luc_Godard" title="j"> Jean-Luc Godard</a>
was asked to do it, he left a message for Kerouac saying, ‘There are no
new routes in America.’ This is a book about freedom and opportunity,
but it feels like those things are curtailed now more than ever. So what
can <em>On the Road</em> tell us today?</span></strong> </strong></div>
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<span style="font-family: Trebuchet MS, sans-serif;">I guess for Walter Salles there’s an optimism that says, ‘There are
plenty of new routes in America.’ Walter has driven across country
twice, interviewing people – film legends like Wim Wenders and all these
other cats, family members, Al Hinkle and other guys who were on these
journeys, all the wonderful people involved. I think he was so inspired
by the book, what it said about American culture, the freedom coming off
- not necessarily the freedom, but the ambition of these characters
coming off the back of a World War, the way that jazz influenced the
story. I think Walter was so inspired by this project that he wanted to
share that feeling, that ambition with everyone. It takes someone that’s
actually affected by it rather than someone who’s just trying to push
for a film to be made. Walter’s been involved with this for over five
years, you know? He’s already made a documentary about trying to find
this project, where he interviewed everybody I mentioned plus the likes
of Sean Penn and Johnny Depp and guys that were potentially going to be
involved in the project. He asked them at the end of the day, what they
expected from the finished product. The stuff ranged from, ‘I don’t want
it to be black-and-white’, ‘I don’t want it to feel like a period
piece’, ‘I don’t want it to feel contemporary’, all the way to Sean Penn
saying, ‘I would like it to be well acted.’</span></div>
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<strong><strong><span style="font-family: Trebuchet MS, sans-serif;">Do you think that the Beat spirit lives on or has an analogue today?</span></strong> </strong></div>
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<span style="font-family: Trebuchet MS, sans-serif;">No. [But] I think the spirit of freedom and yearning to journey and
wanting to get out and breathe and see lands that no other man has seen
is such an ongoing compulsion within everybody ranging from the youth
all the way to parents that are dealing with work in the morning and
kids going to school. Everybody just wants to get up and leave
sometimes. I think, within the expression of this, when you’re in your
early twenties, everything in life is possible and also, later on,
depending on how your mind formulates or depending on what obligations
drag you down to slow that. But as long as you’re always motivated and
you never lose touch with your wonderment, there’s always going to be
something to drive you. And these were guys that, just coming off swing
into the jazz era, just coming off wonderful writers like Wolfe and
Twain, got into this wonderful Beat feeling. Almost like reading to be
heard not to be read, in a way. That’s how much to the beat it was.
There was a rhyme to it, there was a rhythm. It was kind of new and now
they want to extend those boundaries but there’s no way to extend them
but to go out and experience life and to live it to where you could shed
that gained knowledge into your work. That’s what this was. It was all
about pushing your own ability further. The experience of drugs and sex
and music was only to lengthen your own self-encyclopedia of life; to
know about not just the world but the solar system, not just the heart
but the whole body itself. That’s what I thought was most wonderful. It
wasn’t to destroy or to suppress or sedate yourself because of what you
were internally going through; it was to expand what you were internally
going through. That was the wonderful thing about it, I think.</span> </div>
</blockquote>
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<blockquote>
<strong></strong><br />
<div style="text-align: justify;">
<strong><strong><span style="font-family: Trebuchet MS, sans-serif;">Is this how you imagined movie stardom would be when you were nine years old?</span></strong> </strong></div>
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</strong></blockquote>
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<span style="font-family: Trebuchet MS, sans-serif;">Ha. Fuck. No because, you know, when I was on the farm, none of this
ever seemed fathomable; none of it ever seemed reachable. I always think
about it in terms of if my parents had stayed together. My parents
divorced when I was under a year old, my mom took off. Now, if they were
together I probably would have never left the town, everything would
have been right there and all right and hunky-dory. But in terms of, the
nine or fifteen-year-old me I guess I would have to have that same
sense of wanting to achieve my ambitions. I think a lot of people can be
driven by what you don’t have and then when you have it, your ambition
is sort of redirected in terms of what’s next, instead of, ‘How can I
start?’[…] Now, the ambition is redirected towards, ‘How can I enhance?
Or how can I go bigger or deeper or more powerful?’ Rather than, ‘How
can I start?’ So yeah, I’m sure… I wouldn’t really be able to fathom it
if you’d told a nine-year-old me that one day, in about seven years time
you’ll read a book called <em>On the Road</em> and the 27-year-old you will have just finished filming the movie adaptation to it, I’d say, maybe, ‘Bullshit, but try me.’</span> </div>
</blockquote>
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<blockquote>
<span style="font-family: Trebuchet MS, sans-serif;"></span><br />
<div style="font-weight: bold; text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><strong>What do you love about movies?</strong> </span></div>
<span style="font-family: Trebuchet MS, sans-serif;">
</span></blockquote>
<blockquote>
<span style="font-family: Trebuchet MS, sans-serif;"></span><br />
<div style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Jesus. Um. What do I love about movies? Right off the top, it’d be the ability to escape. I think Tennessee Williams in <em>The Glass Menagerie</em> captured
it the best with Tom Wingfield being able to leave his job at the
factory, his mother and his insecure sister to go to the movies and to
get away from his own reality. That’s what I’ve found myself doing and I
constantly find myself doing. When I want to escape present time
troubles and tribulations and trials and joys and vicissitudes, you go
to the movies and you get to be away from your present problems.</span></div>
<span style="font-family: Trebuchet MS, sans-serif;">
</span></blockquote>
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<i style="text-align: center;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></i></div>
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<i style="text-align: center;"><span style="font-family: Trebuchet MS, sans-serif;"><br /></span></i></div>
<div style="text-align: left;">
<span style="font-family: Trebuchet MS, sans-serif;"><i>Source : <a href="http://www.huckmagazine.com/">Huck Magazine.</a></i></span></div>
OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-43790452735059370212012-11-08T19:22:00.000+01:002012-11-08T19:43:58.412+01:00Numéro spécial ON THE ROAD par le Magazine HUCK.<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-bMFAjuFgtuw/UJv3bQULJaI/AAAAAAAACgk/a1tRsephr78/s1600/uck.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-bMFAjuFgtuw/UJv3bQULJaI/AAAAAAAACgk/a1tRsephr78/s1600/uck.JPG" /></a></div>
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<span style="font-size: large;"><b style="font-family: 'Trebuchet MS', sans-serif;">HUCK</b><span style="font-family: 'Trebuchet MS', sans-serif;">, magazine bi-mensuel spécialisé dans le surf, skate et snowboard a consacré son 35ème numéro à SUR LA ROUTE, ce qui n'est pas sans nous rappeler l'</span><a href="http://ontheroad-themoviefr.blogspot.fr/2012/08/marylou-en-couverture-de-little-white.html" style="font-family: 'Trebuchet MS', sans-serif;">excellente édition spéciale de Little White Lies</a><span style="font-family: 'Trebuchet MS', sans-serif;">. Avec sa présentation travaillée, il se situe dans la catégorie magazine de collection pour ceux qui suivent le film</span><i style="font-family: 'Trebuchet MS', sans-serif;"> Sur la route</i><span style="font-family: 'Trebuchet MS', sans-serif;"> et s'intéressent à la Beat Generation.</span></span></blockquote>
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<a href="http://1.bp.blogspot.com/-vIq4LflT3CE/UJv3VTZUe6I/AAAAAAAACgc/A6Oh7OMmWno/s1600/huck2-horz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="http://1.bp.blogspot.com/-vIq4LflT3CE/UJv3VTZUe6I/AAAAAAAACgc/A6Oh7OMmWno/s640/huck2-horz.jpg" width="640" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: large;"><i>Au programme :</i></span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">'<strong style="color: #333333; line-height: 17.600000381469727px; margin: 0px; padding: 0px;"><span class="redtext" style="display: inline !important; margin: 0px; padding: 7px 0px 0px;">The Big Beat Debate</span></strong></span></div>
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Is beat culture still relevant today?</span></div>
<strong style="margin: 0px; padding: 0px;"><span class="redtext" style="display: block; margin: 0px; padding: 7px 0px 0px; text-align: center;"><span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Merry Pranksters</span></span></strong><br />
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Ken Kesey and the acid tests</span></div>
<strong style="margin: 0px; padding: 0px;"><span class="redtext" style="display: block; margin: 0px; padding: 7px 0px 0px; text-align: center;"><span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Garrett Hedlund</span></span></strong><br />
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Being Dean Moriarty</span> </div>
</blockquote>
<blockquote>
<strong style="margin: 0px; padding: 0px;"><span class="redtext" style="display: block; margin: 0px; padding: 7px 0px 0px; text-align: center;"><span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Anywhere Road</span></span></strong><br />
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Girl skate photo documentary special</span></div>
<strong style="margin: 0px; padding: 0px;"><span class="redtext" style="display: block; margin: 0px; padding: 7px 0px 0px; text-align: center;"><span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Plus...</span></span></strong><br />
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Underground Vegas</span></div>
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Eric Koston</span></div>
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Forest Sun</span></div>
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Ben Gibbard</span></div>
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">Band of Horses</span></div>
</blockquote>
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
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<span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<br />
<br />
<div style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;"><i>Infos pratiques :</i></span></div>
<div style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif; font-size: large;"><i><br /></i></span></div>
<div style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;">Vous pouvez commander le magazine pour un total de <span style="color: red;">8.25€ </span>(<span style="color: red;"><i>frais de port compris</i></span>). Et gros plus pour les moins bilingues d'entre vous : <b>le magazine est également disponible en français.</b></span></div>
<div style="text-align: justify;">
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<span style="font-family: 'Trebuchet MS', sans-serif; text-align: start;">A LIRE : <a href="http://ontheroad-themoviefr.blogspot.fr/2012/11/interview-de-garrett-hedlund-par-le.html">Interview de Garrett Hedlund. (EN)</a></span></div>
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif;">Via <a href="https://twitter.com/HUCKmagazine">@HUCKmagazine</a></span>OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-61859356452437152232012-10-02T10:38:00.000+02:002012-10-02T10:42:03.362+02:00Les fans ont du talent ! Montage vidéo inspiré de Sur La Route.<div style="text-align: center;">
Ce très beau montage vidéo a été réalisé le 26 juin 2011...</div>
<div style="text-align: center;">
Plus d'un an avant la sortie du film.</div>
<div style="text-align: center;">
Plus de six mois avant la sortie de la première bande-annonce...</div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="360" src="http://www.youtube.com/embed/ZWnwHLepMh4" width="640"></iframe>OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-78704258859013363212012-10-02T10:24:00.000+02:002012-10-02T10:24:56.561+02:00Entretien avec Jean-Jacques Bonvin sur son dernier livre, Ballast.<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-size: large;">Entretien avec Jean-Jacques Bonvin</span></b></div>
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<blockquote class="tr_bq">
<span style="text-align: left;"> </span><i style="text-align: left;">Jean-Jacques Bonvin a étudié la sociologie, travaillé pour l'OMS, est parti étudier la danse à New-York avant de voyager 'un peu partout' de 1979 à 1983. </i><span style="text-align: left;">Ballast</span><i style="text-align: left;">, son dernier livre sorti le 18 août 2011, retrace le parcours de la Beat Generation en se centrant sur le personnage de Neal Cassady.</i> </blockquote>
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<br /><i><b>- Comment vous-êtes vous préparé pour l’écriture de ce livre ?</b></i> </blockquote>
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<i><b></b></i>Pas de préparation. C’est venu d’un coup à la suite de la lecture du livre de Carolyn Cassady, la femme de Neal. C’est elle qui m’a poussé à lire ou relire Kerouac et Ginsberg. Burroughs ne m’avait jamais vraiment quitté. </blockquote>
<blockquote class="tr_bq">
<br /><b><i>- </i>Ballast <i>parvient en moins de 60 pages à faire revivre l’esprit de la Beat Generation et des épisodes de la vie quotidienne de Jack Kerouac, Neal Cassady, William Burroughs et Allen Ginsberg. Est-ce un choix littéraire de votre part que cette adéquation forme/fond, entre la brièveté de votre livre et celle de la vie de ces quatre personnes ?</i></b> </blockquote>
<blockquote class="tr_bq">
<b><i></i></b>Oui. C’est un choix. L’image qui s’est imposée après quelques pages, celle d’un train sur lequel Kerouac écrit à la machine, ne pouvait être agrandie au-delà. Et puis la vie et l’œuvre des Beats ne sont pas symphoniques pour un sou, elles ont au plus la taille d’un quatuor de jazz, ou d’un groupe rock. Idem pour le tempo. S’il y a une adéquation forme/fond, c’est celle de la brièveté et de la vitesse. </blockquote>
<blockquote class="tr_bq">
<br /><b><i>- La métaphore de la ‘tempête de fleur’ mais généralement le champ</i></b><b><i>lexical du vent est présent tout au long du livre. Pourquoi ?</i></b> </blockquote>
<blockquote class="tr_bq">
<b><i></i></b>Le vent, je ne sais pas, c’est flou pour moi. C’est peut-être l’image d’un mouvement aléatoire et passionné. Quant aux fleurs, ce ne sont pas tant celles qui viendront quelques années plus tard avec les hippies que celles qu’on perçoit d’un bus, d’un train ou d’une voiture, si vite que plus que des points ce sont des lignes qu’on voit. </blockquote>
<blockquote class="tr_bq">
<br /><i style="font-weight: bold;">- </i><b>Ballast</b> <i style="font-weight: bold;">est une référence aux circonstances de la mort de Neal Cassady. Pourquoi ce choix de titre ?</i> </blockquote>
<blockquote class="tr_bq">
<i style="font-weight: bold;"></i>Le ballast était un poids ajouté aux navires de la Hanse qui revenaient à vide au port, histoire de garder un peu d’équilibre, on ne sait jamais, de ne pas couler. C’est devenu le matériau qui conduit et soutient les voies de chemin de fer et sur lequel est tombé Cassady. Il y a aussi le son de ce mot, le bruit qu’il fait, celui précisément d’une locomotive. </blockquote>
<blockquote class="tr_bq">
<br /><b><i>- Neal est selon Jack Kerouac un génie littéraire, bien qu’il n’ait jamais étudié. Pourtant, il n’a jamais percé, contrairement aux autres membres du groupe… Avez-vous une explication à cela ?</i></b> </blockquote>
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<b><i></i></b>Neal Cassady a été poussé vingt ans durant à écrire par Kerouac et Ginsberg. Carolyn, Ferlinghetti, Corso, ils étaient nombreux à voir en Cassady un nouveau Proust, un nouveau Faulkner, ils ne reculent devant aucune comparaison. La lecture de <i>The First Third</i>, le seul livre de Cassady, révèle dans sa première partie un écrivain plein de bonne volonté, sans plus. La deuxième partie, découverte une dizaine d’années plus tard, est plus intéressante. Certaines phrases sont d’une longueur et d’une complexité folles. Carolyn dit que Neal avait autant de peine à placer un point au terme d’une ligne qu’à freiner à un feu rouge. Mais les écrits les plus forts de Cassady sont sans doute ses lettres. Là, il éclate. Il ne connaît plus de limites. Kerouac a d’ailleurs utilisé certains passages de ces lettres dans ses livres : tels quels. <i>[N/A : illustration ci-dessous avec la comparaison d'un extrait de lettre de Neal Cassady et d'un passage de </i>Sur la route<i>.]</i> </blockquote>
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<br /><br /><b><i>- Vous êtes né au moment de l’écriture du manuscrit de </i>Sur la route<i>.</i> <i>Quand avez-vous lu ce livre ?</i></b> </blockquote>
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<b><i></i></b>Au début des années 70 et je l’ai vite oublié. Après la lecture du livre de Carolyn Cassady, j’y suis retourné. Et puis, il y a deux ans à peu près, a paru la version originale de <i>On the Road</i>, le rouleau,<br />chez Penguin. C’est alors que j’ai compris l’importance du bouquin, l’entrelacs démentiel entre la frappe sur la machine à écrire et le texte qui n’en finit pas de rouler et se dérouler, comme un train.</blockquote>
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<i><br /></i><br /><i>Entretien réalisé par Noémie Sornet.</i><br />
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-90426802478222109462012-10-01T23:22:00.000+02:002012-10-01T23:22:46.386+02:00Sur La Route au Mill Valley Film Festival.<div style="text-align: justify;">
<span style="font-family: Georgia, Times New Roman, serif;"><i>Sur La Route </i>fera la soirée d'ouverture du festival du film de Mill Valley, à San Francisco. Pas de prix à gagner à l'issu du festival, mais un enjeu important au niveau de la réception du film par le public, habitué de la Beat Generation. </span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">''<span style="background-color: white; line-height: 19.200000762939453px;">The </span><b style="background-color: white; line-height: 19.200000762939453px;">Mill Valley Film Festival</b><span style="background-color: white; line-height: 19.200000762939453px;"> is an annual, non-competitive </span>film festival<span style="background-color: white; line-height: 19.200000762939453px;"> presented by the </span>California Film Institute<span style="background-color: white; line-height: 19.200000762939453px;">. Known as a filmmakers’ festival, the annual Mill Valley Film Festival offers a non-competitive environment for exhibiting independent and world cinema.'' (<a href="http://en.wikipedia.org/wiki/Mill_Valley_Film_Festival">source</a>)</span></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="line-height: 19.196969985961914px;">Le site du festival : </span></span><a href="http://www.mvff.com/">http://www.mvff.com/</a><br />
<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-1238724174657207162012-09-07T11:08:00.001+02:002012-09-07T11:25:52.734+02:00TIFF 2012 - L’évènement.<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-8W8VJGlAXTI/UEm9joABgvI/AAAAAAAACZg/WxzvN4oq_cU/s1600/kstewartfans-tiff2012-4+(18).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="460" src="http://1.bp.blogspot.com/-8W8VJGlAXTI/UEm9joABgvI/AAAAAAAACZg/WxzvN4oq_cU/s640/kstewartfans-tiff2012-4+(18).jpg" width="640" /></a></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-8QDsXrjFsIo/UEm4hBCoYEI/AAAAAAAACYY/bZmnm-DrC3s/s1600/kstewartfans-tiff2012-4+(10).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="268" src="http://2.bp.blogspot.com/-8QDsXrjFsIo/UEm4hBCoYEI/AAAAAAAACYY/bZmnm-DrC3s/s400/kstewartfans-tiff2012-4+(10).jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace; font-size: large;"><a href="http://ontheroad-themoviefr.blogspot.fr/2012/09/tiff-2012-le-tapis-rouge.html">Le tapis rouge </a></span></td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-H_I55tXlw5E/UEm4jtSc1yI/AAAAAAAACYg/WQh1UOVZLNM/s1600/kstewartfans-tiff2012-9+(17).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="http://2.bp.blogspot.com/-H_I55tXlw5E/UEm4jtSc1yI/AAAAAAAACYg/WQh1UOVZLNM/s400/kstewartfans-tiff2012-9+(17).jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Courier New, Courier, monospace;"><span style="font-size: large;">La couverture médiatique :</span></span><br />
<ul><span style="font-family: Courier New, Courier, monospace;">
<li><span style="font-size: small;"><a href="http://ontheroad-themoviefr.blogspot.fr/2012/09/tiff-2012-les-interviews-videos.html">Interviews vidéos</a></span></li>
<li><span style="font-size: small;"><a href="http://ontheroad-themoviefr.blogspot.fr/2012/09/tiff-2012-couverture-presse-ecriteen.html">Presse écrite/en ligne</a></span></li>
</span></ul>
<span style="font-family: Courier New, Courier, monospace;">
</span></td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-60086683022405211282012-09-07T11:03:00.000+02:002012-09-07T11:03:32.591+02:00TIFF 2012 - Le tapis rouge. <div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-HVMhGjVRTfQ/UEmsAB-u7LI/AAAAAAAACVA/pvkMGtHEUic/s1600/kstewartfans-tiff2012-4+(10).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="428" src="http://3.bp.blogspot.com/-HVMhGjVRTfQ/UEmsAB-u7LI/AAAAAAAACVA/pvkMGtHEUic/s640/kstewartfans-tiff2012-4+(10).jpg" width="640" /></a></div>
<br />
<br />
<div>
<span style="color: #cc0000; font-family: Courier New, Courier, monospace; font-size: x-large;"><b>Le tapis rouge : </b></span></div>
<div style="text-align: start;">
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><br /></span></div>
<div>
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><u><b>Les photos :</b></u></span></div>
<br />
<br />
<a href="http://www.imagebam.com/image/281245209584801" target="_blank"><img alt="imagebam.com" src="http://thumbnails22.imagebam.com/20959/281245209584801.jpg" /></a> <a href="http://www.imagebam.com/image/131e86209584812" target="_blank"><img alt="imagebam.com" src="http://thumbnails57.imagebam.com/20959/131e86209584812.jpg" /></a> <a href="http://www.imagebam.com/image/0b39dd209584826" target="_blank"><img alt="imagebam.com" src="http://thumbnails31.imagebam.com/20959/0b39dd209584826.jpg" /></a> <a href="http://www.imagebam.com/image/888007209584845" target="_blank"><img alt="imagebam.com" src="http://thumbnails67.imagebam.com/20959/888007209584845.jpg" /></a> <a href="http://www.imagebam.com/image/4c0808209584862" target="_blank"><img alt="imagebam.com" src="http://thumbnails79.imagebam.com/20959/4c0808209584862.jpg" /></a> <a href="http://www.imagebam.com/image/c593de209584920" target="_blank"><img alt="imagebam.com" src="http://thumbnails62.imagebam.com/20959/c593de209584920.jpg" /></a> <a href="http://www.imagebam.com/image/69e5bf209584934" target="_blank"><img alt="imagebam.com" src="http://thumbnails38.imagebam.com/20959/69e5bf209584934.jpg" /></a> <a href="http://www.imagebam.com/image/b6160b209584950" target="_blank"><img alt="imagebam.com" src="http://thumbnails80.imagebam.com/20959/b6160b209584950.jpg" /></a> <a href="http://www.imagebam.com/image/d1caf3209584972" target="_blank"><img alt="imagebam.com" src="http://thumbnails85.imagebam.com/20959/d1caf3209584972.jpg" /></a> <a href="http://www.imagebam.com/image/d551db209584989" target="_blank"><img alt="imagebam.com" src="http://thumbnails81.imagebam.com/20959/d551db209584989.jpg" /></a> <a href="http://www.imagebam.com/image/cb867f209585017" target="_blank"><img alt="imagebam.com" src="http://thumbnails58.imagebam.com/20959/cb867f209585017.jpg" /></a> <a href="http://www.imagebam.com/image/dc683f209585039" target="_blank"><img alt="imagebam.com" src="http://thumbnails39.imagebam.com/20959/dc683f209585039.jpg" /></a> <a href="http://www.imagebam.com/image/5e83f8209585064" target="_blank"><img alt="imagebam.com" src="http://thumbnails82.imagebam.com/20959/5e83f8209585064.jpg" /></a> <a href="http://www.imagebam.com/image/b63d1d209585107" target="_blank"><img alt="imagebam.com" src="http://thumbnails83.imagebam.com/20959/b63d1d209585107.jpg" /></a> <a href="http://www.imagebam.com/image/f5470f209585141" target="_blank"><img alt="imagebam.com" src="http://thumbnails51.imagebam.com/20959/f5470f209585141.jpg" /></a> <a href="http://www.imagebam.com/image/2eba1f209585177" target="_blank"><img alt="imagebam.com" src="http://thumbnails64.imagebam.com/20959/2eba1f209585177.jpg" /></a> <a href="http://www.imagebam.com/image/f362f5209585206" target="_blank"><img alt="imagebam.com" src="http://thumbnails21.imagebam.com/20959/f362f5209585206.jpg" /></a> <a href="http://www.imagebam.com/image/70958c209585239" target="_blank"><img alt="imagebam.com" src="http://thumbnails20.imagebam.com/20959/70958c209585239.jpg" /></a> <a href="http://www.imagebam.com/image/850ba7209585272" target="_blank"><img alt="imagebam.com" src="http://thumbnails49.imagebam.com/20959/850ba7209585272.jpg" /></a> <a href="http://www.imagebam.com/image/94c1ee209585300" target="_blank"><img alt="imagebam.com" src="http://thumbnails48.imagebam.com/20959/94c1ee209585300.jpg" /></a> <a href="http://www.imagebam.com/image/5a3cf0209585322" target="_blank"><img alt="imagebam.com" src="http://thumbnails56.imagebam.com/20959/5a3cf0209585322.jpg" /></a> <a href="http://www.imagebam.com/image/afce17209585345" target="_blank"><img alt="imagebam.com" src="http://thumbnails41.imagebam.com/20959/afce17209585345.jpg" /></a> <a href="http://www.imagebam.com/image/3dd1fc209585367" target="_blank"><img alt="imagebam.com" src="http://thumbnails50.imagebam.com/20959/3dd1fc209585367.jpg" /></a><br />
<span style="font-family: 'Courier New', Courier, monospace; font-size: large;"><span style="text-decoration: underline;"><br /></span></span><span style="font-family: Georgia, Times New Roman, serif;"><i>Retrouvez toutes les photos individuelles des acteurs :</i></span><br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: Georgia, Times New Roman, serif;"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-kKK86KbQE98/UEmn5J4JjbI/AAAAAAAACTM/PIxSveK8I_Q/s1600/kstewartfans-tiff2012-6+(29).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="http://4.bp.blogspot.com/-kKK86KbQE98/UEmn5J4JjbI/AAAAAAAACTM/PIxSveK8I_Q/s200/kstewartfans-tiff2012-6+(29).jpg" width="138" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://kstewartnews.com/2012/09/06/kristen-attends-the-toronto-film-festival-for-on-the-road/#more-19848">Kristen Stewart </a></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-szVJ1nuLemg/UEmoeqZbgGI/AAAAAAAACTU/hTnsLSwKyIU/s1600/normal_hq015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="http://2.bp.blogspot.com/-szVJ1nuLemg/UEmoeqZbgGI/AAAAAAAACTU/hTnsLSwKyIU/s200/normal_hq015.jpg" width="141" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://kirsten-d.com/photos/displayimage.php?album=865&pid=40345#top_display_media">Kirsten Dunst</a></td></tr>
</tbody></table>
<span style="font-family: Georgia, Times New Roman, serif;"><br /></span></div>
<div style="text-align: center;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-dof_wGtsq8w/UEmrZk6ovvI/AAAAAAAACUI/Jo2-oowYsv8/s1600/tiff-ontheroad2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="http://1.bp.blogspot.com/-dof_wGtsq8w/UEmrZk6ovvI/AAAAAAAACUI/Jo2-oowYsv8/s200/tiff-ontheroad2.jpg" width="137" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://mrhedlund.com/">Garrett Hedlund</a></td></tr>
</tbody></table>
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><u><b><br /></b></u></span></div>
<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><u><b>Les vidéos :</b></u></span><br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><u><b><br /></b></u></span></div>
<div id="pmc_js_copy_text_div" style="left: -99999px; position: absolute;">
<br />
Read More at:
http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/#utm_source=copypaste&utm_campaign=referral</div>
<center>
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><i>Ambiance :</i></span></center>
<center>
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><i> </i></span></center>
<center>
</center>
<center>
<b>
Walter Salles :</b></center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="169" src="http://www.youtube.com/embed/SEindmUBTsk" width="300"></iframe></center>
<center>
</center>
<center>
<b>Kristen Stewart :</b></center>
<center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="169" src="http://www.youtube.com/embed/rzUAAuMT524" width="300"></iframe><center>
</center>
<center>
</center>
<center>
<b>Garrett Hedlund : </b><br /><center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="169" src="http://www.youtube.com/embed/n7i3n2QDABc" width="300"></iframe></center>
<center>
<br /><center>
</center>
<center>
<b>
Kirsten Dunst :</b><center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="169" src="http://www.youtube.com/embed/Fj0l763Jzd8" width="300"></iframe><center>
</center>
</center>
<center>
</center>
<center>
_____</center>
<center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
<div style="text-align: center;">
<br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><i>Interviews : </i></span></div>
<div style="text-align: center;">
<br />
<b><span style="font-family: inherit;">ET :</span></b><br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/eavUHM-5PjI" width="560"></iframe><center>
<br />
<div style="text-align: start;">
</div>
<b>
Access Hollywood :</b></center>
</center>
</div>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/S46D7VagW7Y" width="560"></iframe></center>
<center>
<br /><center>
</center>
<center>
<b>
The Canadian Press :</b></center>
<center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/Xk8zfGXGqmY" width="560"></iframe><center>
</center>
<center>
<b><br /></b></center>
<center>
<b>
City TV : </b></center>
<center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/cTuj5KiDswk" width="560"></iframe></center>
<center>
</center>
<center>
</center>
<center>
</center>
<center>
<br /><center>
<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><b>Intérieur de la salle (Q/A) :</b></span></div>
<br /><br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/_g3CzIJTodQ" width="420"></iframe><center>
</center>
<center>
<br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/w6uVHXlPXRQ" width="420"></iframe><center>
</center>
<center>
<br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/vXc6o6LDjAw" width="420"></iframe><center>
<br />
<div style="text-align: center;">
<br /></div>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><b><u>Articles : </u></b></span></div>
<br />
<ul>
<li><a href="http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/">Par MovieLine : </a> <i>''The performances by Stewart, Garret Hedlund, who plays Cassady doppelganger, Dean Moriarty, and Sam Riley, who essentially plays Kerouac, are strong. Stewart doesn't have a lot of lines, but she brings a sultry radiance to the screen that is impossible to ignore.'' (<a href="http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/">More</a>)</i></li>
</ul>
<ul>
<li><a href="http://www.hitfix.com/awards-campaign/kristen-stewart-faces-the-paparazzi-to-support-on-the-road">Par HitFix :</a> <i>"She revealed that knowing the real woman behind Marylou (Luanne
Henderson) lived a fruitful life after the events in the book helped her
get through the character's sad arc." <a href="http://www.hitfix.com/awards-campaign/kristen-stewart-faces-the-paparazzi-to-support-on-the-road"> (More)</a></i></li>
</ul>
<i></i><br />
<div style="text-align: center;">
<i><i><span style="color: #0b5394;">Pour toutes les réactions de journalistes, fans etc., suivez nos tweets sur <a href="https://twitter.com/OnTheRoadTheMov">@OnTheRoadTheMov</a>!</span></i></i><br />
<i><i><span style="color: #0b5394;"><br /></span></i></i>
<div style="text-align: left;">
<br /></div>
</div>
OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-37864831933239098092012-09-07T11:02:00.000+02:002012-09-07T11:02:36.858+02:00TIFF 2012 - Couverture presse écrite/en ligne. <div style="text-align: center;">
<br />
<br /></div>
<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><b><u>Articles : </u></b></span></div>
<br />
<ul>
<li><a href="http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/">Par MovieLine : </a> <i>''The performances by Stewart, Garret Hedlund, who plays Cassady doppelganger, Dean Moriarty, and Sam Riley, who essentially plays Kerouac, are strong. Stewart doesn't have a lot of lines, but she brings a sultry radiance to the screen that is impossible to ignore.'' (<a href="http://movieline.com/2012/09/07/kristen-stewart-on-the-road-toronto-film-festival/">More</a>)</i></li>
</ul>
<i><br /></i><ul>
<li><a href="http://www.hitfix.com/awards-campaign/kristen-stewart-faces-the-paparazzi-to-support-on-the-road">Par HitFix :</a> <i>"She revealed that knowing the real woman behind Marylou (Luanne
Henderson) lived a fruitful life after the events in the book helped her
get through the character's sad arc." <a href="http://www.hitfix.com/awards-campaign/kristen-stewart-faces-the-paparazzi-to-support-on-the-road"> (More)</a></i></li>
</ul>
<i></i><br />
<div style="text-align: center;">
<i><i><span style="color: #0b5394;">Pour toutes les réactions de journalistes, fans etc., suivez nos tweets sur <a href="https://twitter.com/OnTheRoadTheMov">@OnTheRoadTheMov</a>!</span></i></i></div>
<i>
</i><br />
<br />
<br />
<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-10330666376795226802012-09-07T11:01:00.001+02:002012-09-07T14:00:49.314+02:00TIFF 2012 - Les interviews vidéos.<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-LckRHr2AZvY/UEm3Ipl8D4I/AAAAAAAACYQ/WJyJl40VT9A/s1600/kstewartfans-tiff2012-9+(17).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="http://3.bp.blogspot.com/-LckRHr2AZvY/UEm3Ipl8D4I/AAAAAAAACYQ/WJyJl40VT9A/s640/kstewartfans-tiff2012-9+(17).jpg" width="640" /></a></div>
<br />
<br />
<span style="font-family: Courier New, Courier, monospace; font-size: large;"><i>Interviews : </i></span></div>
<div style="text-align: center;">
<br />
<b><span style="font-family: inherit;">ET :</span></b><br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/eavUHM-5PjI" width="560"></iframe><center>
<br />
<div style="text-align: start;">
</div>
<b>
Access Hollywood :</b></center>
</center>
</div>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/S46D7VagW7Y" width="560"></iframe></center>
<center>
<br /><center>
</center>
<center>
<b>
The Canadian Press :</b></center>
<center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/Xk8zfGXGqmY" width="560"></iframe><center>
</center>
<center>
<b>
City TV : </b></center>
<center>
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/cTuj5KiDswk" width="560"></iframe></center>
<center>
<br /></center>
<b><span style="color: #cc0000;">MAJ :</span> Screenslam :</b><br /><center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/7ogov00pEOI" width="560"></iframe><center>
</center>
<center>
</center>
<center>
<br /><center>
<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace; font-size: large;">Intérieur de la salle (Q/A) :</span></div>
<br /><br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/_g3CzIJTodQ" width="420"></iframe><center>
</center>
<center>
<br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/w6uVHXlPXRQ" width="420"></iframe><center>
</center>
<center>
<br />
<center>
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/vXc6o6LDjAw" width="420"></iframe><center>
<br />
<div style="text-align: center;">
<br />
<br /></div>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
</center>
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-36182096542143898152012-08-25T12:17:00.002+02:002012-08-25T12:23:56.900+02:00SUR LA ROUTE dans le magazine FILM INK (Australie).<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-61o1rxwn3hg/UCNaKq6djnI/AAAAAAAACH8/Jm-ecxTKs4E/s1600/20120809-022654.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-61o1rxwn3hg/UCNaKq6djnI/AAAAAAAACH8/Jm-ecxTKs4E/s1600/20120809-022654.jpg" /></a></div>
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<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-42646453775455090412012-08-21T21:53:00.000+02:002012-08-21T21:53:03.880+02:00'Marylou' en couverture de LITTLE WHITE LIES. (UK)<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-6iXQMyOubaM/UC6Q8mlXGHI/AAAAAAAACMk/CU2kTibAtEU/s1600/639001901.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-6iXQMyOubaM/UC6Q8mlXGHI/AAAAAAAACMk/CU2kTibAtEU/s640/639001901.jpg" width="522" /></a></div>
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Le magazine britannique sortira le 23 août. </div>
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<i>Available on August 23rd in the UK.</i><br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-lpL5uAtscF4/UC8-dZMmnLI/AAAAAAAACNU/ldgqLQV8yHY/s1600/217836_10150963006832723_598210828_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="213" src="http://4.bp.blogspot.com/-lpL5uAtscF4/UC8-dZMmnLI/AAAAAAAACNU/ldgqLQV8yHY/s320/217836_10150963006832723_598210828_n.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><i>(C) Little White Lies<br />Toutes les photos de la préparation sont disponibles <a href="https://www.facebook.com/photo.php?fbid=10150963006832723&set=a.10150963005382723.416441.58316592722&type=1&theater">ici</a>.</i></span></td></tr>
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<b><span style="font-family: Courier New, Courier, monospace; font-size: large;">Information complémentaire : </span></b><br />
Ce numéro promet vraiment d'être original sur la forme !<br />
En effet, le magazine annonce que l'article principal de leur numéro spécial ON THE ROAD a été <b>tapé à la machine à écrire</b> et illustré à la main sur un rouleau continu, à la manière de Jack Kerouac.<br />
<br />
<i><b>More : </b></i><br />
<i>In the spirit of Jack Kerouac's iconic Beat novel, the entire features
section of our On the Road issue was typewritten and hand-illustrated
onto a single scroll on August 10, 2012. </i></div>
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<i><span style="color: #cc0000;"><b>MAJ 21/08/2012:</b></span><a href="http://www.blogger.com/goog_2028161755"><br /></a></i><span style="font-family: Courier New, Courier, monospace; font-size: large;"><b><br />Sommaire du magazine : </b></span><br />
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<b>Director’s commentary:<br /> </b>Walter Salles on improvisation, adventure and the tension between freedom and family </blockquote>
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<b>The Book of Kristen:<br /> </b>Silence, please, for the world's most talked-about actress </blockquote>
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<b>The Man Who Would Be King:<br /> </b>Is Garrett Hedlund Hollywood's next big superstar </blockquote>
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<b>The Beat Bookshelf:<br /> </b>Peruse the ultimate hipster's library </blockquote>
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<b>Searching for Bergman:<br /> </b>LWLies travels to Fårö on the trail of Sweden's enigmatic master </blockquote>
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<b>American Outlaw:<br /> </b>Rediscovering the work of Shirley Clarke </blockquote>
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<b>The Beat Goes On:<br /> </b>A visual celebration of a century's radical individualism </blockquote>
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<b>Reliving Paradise:<br /> </b>The view from the tracks with a modern-day hobo </blockquote>
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Plus interviews with Rian Johnson, Guy Maddin and Miguel Gomes.</blockquote>
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... </blockquote>
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Première chose qui saute aux yeux : Aurait-on oublié <b>Sam Riley</b>? Étonnant pour un numéro spécial 'Sur La Route' (et donc implicitement 'Kerouac') que l'acteur incarnant le narrateur du roman n'ait pas été interviewé... </i></span><span style="font-family: Georgia, Times New Roman, serif;"><i>De bonnes surprises sinon, avec des dossiers tels que ''<b>Searching for Bergman'', ''</b><b>American Outlaw'', ''</b><b>The Beat Goes On'', </b>ou encore<b> ''</b><b>Reliving Paradise''. </b></i></span></blockquote>
...<br />
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<b><span style="font-family: Courier New, Courier, monospace; font-size: large;">Bon à savoir : </span></b><br />
Vous pouvez <a href="http://shop.littlewhitelies.co.uk/product/little-white-lies-issue-43-the-on-the-road-issue">commander le magazine en ligne </a>depuis la France :<br />
''£4 for EU addresses (+ £1 for each additional issue)''<br />
+ le prix du magazine, qui est de 4,25£.<br />
<br />
<i>[UK postage & handling is £2 (+ £1 for each additional issue), and £6 for the Rest of the World (+ £2.75 for each additional issue).]</i><br />
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<tr><td class="tr-caption" style="text-align: center;">Shirley Clarke. </td></tr>
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<b><span style="font-size: large;">Shirley Clarke </span></b></div>
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''Fuyant les orthodoxies, elle va trouver sa voie avec son premier long-métrage <i>The Connection</i> (1961). Tiré d'une pièce de théâtre de Jack Gelber, jouée par le Living Theatre, et qui décrivait l'attente angoissée par quelques héroï•nomanes de leur fournisseur, le film devient, par l'adjonction dans sa trame d'un cinéaste et de son assistant souhaitant faire un reportage sur le sujet, une réflexion sur l'éthique cinématographique en même temps qu'un portrait saisissant de quelques marginaux proches de la beat generation. Le film fut interdit durant un an aux États-Unis […]'' ( source : <a href="http://www.universalis.fr/encyclopedie/shirley-clarke/">Universalis</a>)</blockquote>
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<i><a href="http://www.blogger.com/goog_2028161755"><br /></a></i></div>
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<i><a href="https://twitter.com/LWLies">Source : @LWLies</a></i></div>
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-2229718658998933872012-08-18T19:41:00.000+02:002012-08-18T19:41:28.803+02:00Report : ON THE ROAD UK Premiere (Somerset House).<br />
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<span style="font-size: large;"><b>Burn, burn, burn across the stars.</b></span> </div>
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On thursday afternoon, we gathered with another <i>On The Road</i> fan I met a week ago. I didn't have a ticket, but no matter, 'Let's just see'. We started waiting and as we were chatting with other people, it came up that a girl <i>had</i> a spare ticket for me. Hallelujah. </div>
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So here I am, 6.30 p.m,<i> inside</i> the Somerset House, in front of a big screen, waiting for the holy movie to begin. I shared some great time with an authentic Beat fan sitting next to me, who had brought his original scroll copy - copy covered on every <i>single</i> page with anecdotes. </div>
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<a href="http://4.bp.blogspot.com/-SfxSUZpCM08/UC_O1bTt3AI/AAAAAAAACOQ/ir8YXiAkK34/s1600/DSC02601.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="http://4.bp.blogspot.com/-SfxSUZpCM08/UC_O1bTt3AI/AAAAAAAACOQ/ir8YXiAkK34/s200/DSC02601.JPG" width="200" /></a><a href="http://1.bp.blogspot.com/-hMIpSWrzUFI/UC_O6xb5g1I/AAAAAAAACOY/1pF058ONsow/s1600/DSC02602.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="http://1.bp.blogspot.com/-hMIpSWrzUFI/UC_O6xb5g1I/AAAAAAAACOY/1pF058ONsow/s200/DSC02602.JPG" width="200" /></a></div>
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About an hour before the screening, Danny Morgan came to say hi to some of his friends who were there. No barriers, no bodyguards, he was just getting lost in the crowd, stopping sometimes to talk to people and sign autographs. He really is a sweet man. I had the chance to exchange a few words with him, because -of course- my new Beat friend started shouting : <b>''Hey, Al Hinkle!''</b> as he was walking next to us. </div>
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<a href="http://2.bp.blogspot.com/-Dh2HZ6ch9wM/UC_Pk0obMtI/AAAAAAAACOs/AobNgAWv7N0/s1600/DSC02622.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="http://2.bp.blogspot.com/-Dh2HZ6ch9wM/UC_Pk0obMtI/AAAAAAAACOs/AobNgAWv7N0/s400/DSC02622.JPG" width="400" /></a></div>
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9 p.m. The music stopped. ''The screening is about to begin. Please turn off your phone.'' Sam Riley, Tom Sturridge and Danny Morgan went on stage to introduce the movie (See my record below). And here we go, on the road again... </div>
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The choice of putting the On The Road UK premiere into this big open screen was a GREAT choice. Having already seen the movie in Cannes, I can't resist to make a comparison. The two screenings were both very emotional. In Cannes, there was this atmosphere where you <i>know</i> you are living a big moment : the world premiere of the movie, in this mythic Palais des festivals. But there were not this Beat spirit in the air. This time, at Somerset House, you could really share a moment with people. During the whole film, we actually were on the road. We laughed, we applaused. Ate, drank, smoked for some. We were sitting or lying on blankets with pillows. We were watching this masterpiece finally made into a movie. </div>
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Walter Salles' adaptation did incredible justice to the book's spirit. The original scroll, not the censured version first published in 1957. Which means particularly intense sex scenes, drugs everywhere and pure freedom to burn, burn, burn. </div>
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The actors are terrific in it. I've been asked a million times 'what was your favourite performance?' Well, it is actually hard, if not<i> impossible</i> to tell. You cannot pick one of them and say : 'yeah, he/she was the best', because they share that mutual energy. </div>
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I also found the soundtrack well chosen. Oh, and please don't forget to put a special award nomination for the Road, because it literally is a character in the movie. </div>
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Well, I won't say more about the film, because I don't want to spoil those who haven't seen it. For the lucky ones, any favourite scene? </div>
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<i><i>Here is my top 3 :</i> </i></div>
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- New Year's Eve </div>
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- The Okie Hitchhiker's song </div>
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- At Old Bull Lee's house </div>
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<i>Next big step for the movie : TIFF Premiere. Won't be able to go there, but I'm sure many of you will share how the whole thing happened. By the way, if some want to write an article for the blog about the TIFF Premiere, feel free to contact! Hope you enjoy this write up :)</i></div>
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<i><br class="Apple-interchange-newline" /></i></div>
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<i><i>by <a href="https://twitter.com/OnTheRoadTheMov">@OnTheRoadTheMov</a></i> </i></div>
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<b><u><span style="font-size: large;">Photos :</span></u></b><br />
<i>(please credit if you use them. Kthanks!) </i><br />
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-64473755980431226802012-08-17T02:18:00.001+02:002012-08-17T09:06:53.159+02:00Avant-Première de SUR LA ROUTE en Angleterre. <div class="separator" style="clear: both; text-align: center;">
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Compte-rendu avec photos et vidéo sont à venir!<br />
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<span style="color: #cc0000; font-size: large;"><b>UPDATE : </b></span><br />
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(C) <a href="https://twitter.com/OnTheRoadTheMov">@OnTheRoadTheMov</a></center>
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OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-24892683250394598822012-08-15T20:06:00.000+02:002012-08-15T20:06:48.164+02:00New ON THE ROAD Poster. <div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-CEl5PJ9fnis/UCvkra1qpUI/AAAAAAAACKc/_DJABTq1sqY/s1600/On-The-Road7-706x1024.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-CEl5PJ9fnis/UCvkra1qpUI/AAAAAAAACKc/_DJABTq1sqY/s640/On-The-Road7-706x1024.jpg" width="441" /></a></div>
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New Australian poster... looks good! </div>
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<a href="http://www.ramascreen.com/new-intl-poster-for-on-the-road-with-kristen-stewart">Via </a><br />
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<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-91727088796043282042012-08-11T23:22:00.000+02:002012-08-11T23:22:45.329+02:00Interview de Walter Salles - Par Agendamagazine.be<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-MP5RViVTGJE/T33CMPaOOtI/AAAAAAAABko/5KsvjeuLaF4/s1600/sam1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="401" src="http://3.bp.blogspot.com/-MP5RViVTGJE/T33CMPaOOtI/AAAAAAAABko/5KsvjeuLaF4/s640/sam1.JPG" width="640" /></a></div>
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“To do justice to the book, we sometimes had to diverge from it. A
little bit like a jazz-musician who lets go of the melody only to find
it all the better later on.” Perfectionist Walter Salles worked on the
film adaptation of <em>On the Road</em> with heart and soul. It is one of the most influential books of post-war North-American culture. </blockquote>
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In Cannes, <em>On the Road</em>
was deemed too light to win any awards. The film, based on the infamous
Beat novel by Jack Kerouac is neither spectacular nor unforgettable,
but nevertheless compels admiration. With skill, passion, and insight,
the Brazilian aesthete and king of road movies Walter Salles has
translated the spiritual sex, drugs, jazz, and literature travels of Sal
Paradise and Dean Moriarty into beautiful images. (<a href="http://www.agendamagazine.be/en/blog/walter-salles-road#.UCgV5GbmDZQ.twitter">Continue</a>) </blockquote>
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Source :<a href="http://www.agendamagazine.be/en/blog/walter-salles-road#.UCgV5GbmDZQ.twitter"> Agendamagazine.be </a><br />
<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-37911025659228438782012-08-09T08:42:00.002+02:002012-08-09T18:31:01.478+02:00SUR LA ROUTE dans le magazine Marie-Claire (US) - Septembre 2012.<div class="separator" style="clear: both; text-align: center;">
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<a href="http://2.bp.blogspot.com/-_OP3cznRSMA/UCPjitS3gCI/AAAAAAAACI0/5qMlxMrLWYI/s1600/532966_10150763996292412_674192411_9389123_1343366109_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-_OP3cznRSMA/UCPjitS3gCI/AAAAAAAACI0/5qMlxMrLWYI/s320/532966_10150763996292412_674192411_9389123_1343366109_n.jpg" width="234" /></a></div>
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<a href="http://1.bp.blogspot.com/-zdE25VkXXb4/UCPjjSEJSVI/AAAAAAAACI4/bA9rzk74D-Y/s1600/x2_d3c67d0-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-zdE25VkXXb4/UCPjjSEJSVI/AAAAAAAACI4/bA9rzk74D-Y/s320/x2_d3c67d0-1.jpg" width="234" /></a></div>
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Photos qui annoncent un article consacré à SUR LA ROUTE dans le magazine</div>
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<i>Marie-Claire</i> de Septembre aux Etats-Unis.</div>
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<i>Scans et traduction à venir.</i></div>
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<i>via : <a href="http://fashionscansremastered.net/2012/08/09/kristen-stewart-marie-claire-usa-september-2012/">fashionscansremastered.net</a></i></div>
<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0tag:blogger.com,1999:blog-6793644440542204568.post-27475458319123502172012-06-28T20:13:00.000+02:002012-06-28T20:13:56.639+02:00[DOSSIER] De Montaigne à Le Clézio, l'invitation au voyage.<h3>
<i><a href="http://www.magazine-litteraire.com/">Le Magazine Littéraire</a></i> propose un dossier sur le rapport voyage/écrivain, intitulé <i>De Montaigne à Le Clézio, l'invitation au voyage</i>. Jack Kerouac et <i>Sur la route</i> y sont mentionnés. </h3>
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<span style="font-size: large;"><b>Extrait : </b></span></div>
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<b>«Heureux qui, comme Ulysse, a fait un beau voyage», disait Joachim Du
Bellay. Bien avant que l’accolement des substantifs «écrivain» et
«voyageur» tende à catégoriser des auteurs pratiquant une multiplicité
de genres, les écrivains ont entretenu avec le voyage une relation
complexe. </b></blockquote>
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La relation que certains écrivains entretiennent avec le voyage touche
donc à ce qui les constitue au plus profond de leur être, de leur
manière d’exister et de leur art. « Les premiers livres de voyage que
j’ai lus, raconte Susan Sontag dans <em>Temps forts,</em> et qui
comptent sûrement parmi les livres les plus importants de ma vie,
furent écrits par Richard Halliburton. J’avais 7 ans, nous étions en
1940, lorsque j’ai lu son <em>Book of Marvels</em> [...] [Il]
m’a offert ma première vision de ce que je pensais être l’existence la
plus privilégiée qui fût, celle de l’écrivain : une vie de curiosité et
d’énergie sans limites, une vie d’enthousiasmes innombrables. Être
voyageur, être écrivain - dans mon esprit d’enfant, c’était au départ
un peu la même chose. » Cette affirmation est caractéristique d’une
génération, celle qui arrive à l’âge adulte dans les années 1950-1960,
et qui inaugure un rapport au voyage beaucoup plus affirmé, généralisé,
et une multiplication des formes littéraires qui lui sont liées.<b> Le
livre fondateur de la Beat Generation, paru en 1957, s’appelle <em>Sur la route.</em>
Et pendant que Jack Kerouac parcourt en auto-stop la Californie en
quête du roman qu’il mettra dix ans à écrire et à publier,</b> à l’autre
bout du monde occidental, un jeune universitaire et homme de théâtre
français, Jacques Lacarrière, parcourt la Grèce - qui n’est pas encore
celle des colonels -, et un jeune Genevois de famille bourgeoise,
Nicolas Bouvier, met en oeuvre, en 1953, avec son ami peintre Thierry
Vernet, « un projet [qu’ils avaient] cuit et recuit depuis longtemps » :
partir vers l’est, sans autre but que la rencontre des autres et
l’avancée sur un axe historique vers l’Asie, « mère de l’Europe ». <a href="http://www.magazine-litteraire.com/content/homepage/article?id=21982">Lire l'article en entier.</a></div>
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<a href="http://www.magazine-litteraire.com/content/homepage/article?id=21982">Source </a><br />
<br />OTR4Khttp://www.blogger.com/profile/10291650121942812483noreply@blogger.com0